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“Like the rest of Holy Week, Easter is also a terrific story. It starts as tragedy: the hero broken and bloody, against all expectation dead, his followers' joyful hope in him entombed with his corpse, the rock rolled into place, sealing their despair.But the curtain doesn't fall there. The next morning at dawn they discover the rock has been rolled back. The tomb is empty, the body's gone! A missing corpse? Great stuff. A whisper of comedy. Now a touch of farce as Mary Magdalen and the guys chase frantically around looking for help, or the corpse, when suddenly, out of nowhere, up it pops—alive!Of course it's Jesus, who's done the impossible and beaten death.And they're so amazed they think he's the gardener! It's a payoff way beyond the Hollywood ending: all the flooding emotion and uplift of a tragedy followed by all the bubbling joy and optimism of a comedy.Is that possible? Not just to live happily ever after but to die—and still live happily ever after? It's the most audacious claim of Christianity, the one element that marks the brand indelibly, that trumps the claims of all other major faiths.”
Tony Hendra“Somehow we just don't make the same boisterous fun of Holy Week that we do of Christmas. No one plans to have a holly, jolly Easter.”
Frederica Mathewes-Green“The risen Lord is the new Temple, the real meeting place between God and man.”
Pope Benedict XVI, Jesus of Nazareth, Part Two: Holy Week: From the Entrance into Jerusalem to the Resurrection“The blessing hands of Christ are like a roof that protects us. But at the same time, they are a gesture of opening up, tearing the world open so that heaven my enter in, may become "present" within it.”
Pope Benedict XVI, Jesus of Nazareth, Part Two: Holy Week: From the Entrance into Jerusalem to the Resurrection“Ultimately, in the battle against lies and violence, truth and love have no other weapon than the witness of suffering.”
Pope Benedict XVI, Jesus of Nazareth, Part Two: Holy Week: From the Entrance into Jerusalem to the Resurrection“Time plays like an accordion in the way it can stretch out and compress itself in a thousand melodic ways. Months on end may pass blindingly in a quick series of chords, open-shut, together-apart; and then a single melancholy week may seem like a year's pining, one long unfolding note.”
Julia Glass, Three Junes