How music works Quotes

“Recordings aren't time sensitive. You can hear the music you want whether it's morning, noon, or the middle of the night. You can "get into" clubs virtually, "sit" in concert halls you can't afford to visit, go to places that are too far away, or hear people sing about things you don't understand, about lives that are alien, sad, or wonderful. Recorded music can be ripped free from its context, for better and worse. It becomes its own context.”

“But at times words can be a dangerous addition to music — they can pin it down. Words imply that the music is about what the words say, literally, and nothing more. If done poorly, they can destroy the pleasant ambiguity that constitutes much of the reason we love music. That ambiguity allows listeners to psychologically tailor a song to suit their needs, sensibilities, and situations, but words can limit that, too. There are plenty of beautiful tracks that I can’t listen to because they’ve been “ruined” by bad words — my own and others. In Beyonce's song "Irreplaceable," she rhymes "minute" with "minute," and I cringe every time I hear it (partly because by that point I'm singing along). On my own song "Astronaut," I wrap up with the line "feel like I'm an astronaut," which seems like the dumbest metaphor for alienation ever. Ugh.”

“Presuming that there is such a thing as "progress" when it comes to music, and that music is "better" now than it used to be, is typical of the high self-regard of those who live in the present. It is a myth. Creativity doesn't "improve.”

“Any kid will tell you that, yes, their music is both an escape and a survival mechanism, and that sometimes the music givesbthem hope and inspiration. It doesn't just placate and pacify.”

“Music written by teams makes the authorship of a piece indistinct. Could it be that when hearing a song written by a team, a listener can sense that they aren't hearing an expression of a solitary individual's pain or joy, but that of a virtual conjoined person? Can we tell that an individual singer might actually represent a collective, that he might have multiple identities? Does that make the sentiments expressed more poetically universal? Dan eliminating some portion of the authorial voice make a piece of music more accessible and the singer more empathetic?”

“The online music magazine Pitchfork once wrote that I would collaborate with anyone for a bag of Doritos.”

“Music without the ebb and flow would be like "watching a film with only good guys in it." -attrib Frank Zappa”

“In the early days, I might have gotten on stage and begun to sing as a desperate attempt to communicate, but now I found that singing was both a physical and emotional joy. It was sensuous, a pure pleasure, which didn't take away from the emotions being expressed—even if they were melancholic. Music can do that; you can enjoy singing about something sad.”

“In musical performances one can sense that the person on stage is having a good time even if they're singing a song about breaking up or being in a bad way. For an actor this would be anathema, it would destroy the illusion, but with singing one can have it both ways. As a singer, you can be transparent and reveal yourself on stage, in that moment, and at the same time be the person whose story is being told in the song. Not too many kinds of performance allow that.”

“You might say that the universe plays the blues.”