How s Quotes

“... That little narrative is an example of the mathematician’s art: asking simple and elegant questions about our imaginary creations, and crafting satisfying and beautiful explanations. There is really nothing else quite like this realm of pure idea; it’s fascinating, it’s fun, and it’s free!”

“When exactly did this all change, and what were the social and theological factors that led to the change? The answer seems to be in the second century and: (1) because of the consolidation of ecclesial power in the hands of monarchial bishops and others; (2) in response to the rise of heretical movements such as the Gnostics; (3) in regard to the social context of the Lord’s Supper, namely, the agape, or thanksgiving, meal, due to the rise to prominence of asceticism in the church; and (4) because the increasingly Gentile majority in the church was to change how second-century Christian thinkers would reflect on the meal. Thus, issues of power and purity and even ethnicity were to change the views of the Lord’s Supper and the way it would be practiced.”

“Caine’s a guy who needs to win. He needs to win before he poofs. Or he needs to win before I poof. The point is, he’s not going to just accept us freeing all these kids from Coates and taking over Perdido Beach,” Sam said. “So we need to be ready. And we need to be ready for something else, too: tomorrow is my birthday.” He made a wry face. “Not a birthday I’m exactly looking forward to. But, anyway, we need to decide who takes over for me if…when…I step outside.”Several of the kids made sympathetic or encouraging noises about how Sam maybe wasn’t going to blink out, or maybe it would be a good thing, an escape from the FAYZ. But Sam hushed them all.“Look, the good thing is, when I go, so does Caine. The bad thing is, that still leaves Drake and Diana and other bullies. Orc…well, we don’t exactly know what’s going on with him, but Howard’s not with him. And Lana…we don’t know what happened to her, whether she left or what.”The loss of Lana was a serious blow. Every one of the Coates refugees adored her for the way she had healed their hands. And it was reassuring to think that she could heal anyone who was injured.Astrid said, “I nominate Edilio to take over if…you know. Anyway, we need a number two, a vice president or vice mayor or whatever.”Edilio did a double take, like Astrid must be talking about some other Edilio. Then he said, “No way. Astrid’s the smartest person here.”“I have Little Pete to look after. Mary has to care for the prees and keep them out of harm’s way. Dahra has responsibility for treating anyone who gets hurt. Elwood has been so busy in the hospital with Dahra, he hasn’t dealt with Caine or Drake or any of the Coates faction. Edilio’s been up against Orc and Drake. And he’s always been brave and smart and able.” She winked at Edilio, acknowledging his discomfort.“Right,” Sam said. “So unless someone has an objection, that’s the way it is. If I get hurt or I ditch, Edilio’s in charge.”“Respect to Edilio,” Dekka said, “but he doesn’t even have powers.”“He has the power to earn trust and to come through when he has to,”

“God showed me something that day. It’s not about me. It’s not about how strong or how weak I am. It’s about speaking and declaring the WORD over someone else. What did God say about this issue? It’s about how strong God is, despite my weakness.I challenge you today, if you are sick – pray for the sick.If you are hurt – pray for the hurting.If you are lacking – pray for someone else’s abundant supply.Don’t run from your weakness – use it to heal someone else!Speak the Word – and sit back and watch what God does to confirm His Word!God will use it – and add His power to it, and you will see people healed in Jesus Name!”

“Why do writers use symbolism?” Okay, so let’s say you have a headache and you wanna tell someone about it and you say, “I have a headache!” and other people are like, “Yeah, whatever. Everybody gets headaches.” But your headache is not a regular headache, it’s a serious headache, so you say, “My brain is on fire!” to try to help these people understand that this is a headache that needs attention! That’s a metaphor, right? And you use it so that you can be understood. Now let’s say you want to take those same imagistic principles but apply them to a much more complex idea than having a headache, like, for instance, the yearning that one feels for one’s dreams. And you can see the dream but you can’t cross the bay to get to the green light that embodies your dream. And you want to talk about how socio-economic class in America is a barrier – a bay-like barrier, some would say – that stands between you and the green light and makes that gap unbridgeable. Now, you can just talk about that stuff directly, but when you talk about it symbolically, it becomes more powerful, because instead of being abstract it becomes kind of observable…. So I think that’s why.”

“That’s how stories happen — with a turning point, an unexpected twist. There’s only one kind of happiness, but misfortune comes in all shapes and sizes. It’s like Tolstoy said. Happiness is an allegory, unhappiness a story.”

“Hallelujah can barely breathe through the pain of each step. Rachel is panting from the effort of holding Hallelujah up. Still, when they get closer to the clearing, Rachel manages to call out: “Jonah! Help!”There’s a rustling noise up ahead. Twigs snapping. And then Jonah appears. His face is in shadow, but his voice is worried: “What happened?”“I turned my ankle,” Hallelujah says. “I’m okay.”“She’s not okay,” Rachel gasps. “She can’t put weight on it. Can you carry her?”Jonah doesn’t hesitate. He wraps one arm around Hallelujah’s waist, and then he scoops up her legs with the other. In a single, fluid motion, she’s off the ground. She holds on to his shoulders. For a second, she thinks about how strange this is—to be held like this, to be held by Jonah.”

“The music is everywhere, pressing in on them both, so much that she can almost see it floating in the air around them. It’s like wind, but also not, gracing over her skin as light as air, and she can hear it, more than hear it, both in her head and outside of it. It’s like Callum is shocking her, except the transfer is music, rather than electricity, and it goes on nearly forever. She can feel it weaving itself into her head, wrapping around and entangling with her thoughts in little, fragile, insistent tendrils. “It just amazes me,” Callum whispers, voice blending perfectly with the music. “How something can be so soft and so loud at the same time. It’s almost like it isn’t there at all, isn’t it?” The song ends. And in this moment, as the sun sets outside, and the room begins to go dark, she can feel him thinking. She can hear their breath mingling in the silence. She can hear every emotion he’s ever had, and she realizes that, though she has this, this thing that nobody else has, she understands perhaps the least about it of anyone. And he makes her want to. He makes her want to understand more.”

“It’s funny, isn’t it?” he said, something odd in his voice. “It’s funny how some people show they love people with dramatic proclamations and huge displays and romantic gestures…but for some people, it’s in the small things. Like the small things you do for him.”