Hybrid vampires Quotes

“I remember when we found the first population of living Cerion agassizi in central Eleuthera. Our hypothesis of Cerion's general pattern required that two predictions be affirmed (or else we were in trouble): this population must disappear by hybridization with mottled shells toward bank-interior coasts and with ribby snails toward the bank-edge. We hiked west toward the bank-interior and easily found hybrids right on the verge of the airport road. We then moved east toward the bank-edge along a disused road with vegetation rising to five feet in the center between the tire paths. We should have found our hybrids but we did not. The Cerion agassizi simply stopped about two hundred yards north of our first ribby Cerion. Then we realized that a pond lay just to our east and that ribby forms, with their coastal preferences, might not favor the western side of the pond. We forded the pond and found a classic hybrid zone between Cerion agassizi and ribby Cerions. (Ribby Cerion had just managed to round the south end of the pond, but had not moved sufficiently north along the west side to establish contact with C. agassizi populations.) I wanted to shout for joy. Then I thought, "But who can I tell; who cares?" And I answered myself, "I don't have to tell anyone. We have just seen and understood something that no one has ever seen and understood before. What more does a man need?”

“In the future, we should anticipate seeing more hybrid wars where conventional warfare, irregular warfare, asymmetric warfare, and information warfare all blend together, creating a very complex and challenging situation to the combatants; therefore it will require military forces to posses hybrid capabilities, which might help deal with hybrid threats.”

“The essence of “Being Hybrid” is about balance - to keep things going steadfastly.”

“A CIO as “Chief Intrapreneur Officer” has creative, logical, hybrid, and abstract thinking traits.”

“Digital IT has a “hybrid” nature. IT management philosophy is transforming from “built to last,” to “wired for change.”

“The capacity to do something horrible to someone who doesn't deserve it is there in everyone, human or hybrid. Being human doesn't make you any less likely to kill someone; being hybrid any more.”

“The car industry has invested a lot in hybrid, but my opinion is electric cars will take over a lot of hybrids quicker than people think now.”

“There are 2 kinds of artists, essentially: those who want to make something popular, and those who want to make something dignified. But then there is still that rare hybrid case, and perhaps by that unintentional stroke of genius, in which one's work uncontrollably becomes both popular and dignified yet beyond its time.”

“Stopping in the 1970s, "Hybridity" as the fifth and final chapter is less of an end point than a certain realization of the artifice, plasticity, and technology that Wells and Loeb envisioned as the future of the human relationship to living matter as well as of the "catastrophic" situation that Georges Canghuilhem (following Kurt Goldstein) saw in life subjected to the milieu of the laboratory.”

“This gesture is one of the motifs of modernity's turn against the principle of imitating nature, that is to say, imitating predefined morphological expectations. It is still capable of perceiving message-totalities and autonomous thing-signals when no morphologically intact figures are left - indeed, precisely then. The sense for perfection withdraws from the forms of nature - probably because nature itself is in the process of losing its ontological authority. The popularization of photography also increasingly devalues the standard views of things. As the first edition of the visible, nature comes into discredit. It can no longer assert its authority as the sender of binding messages - for reasons that ultimately come from its disenchantment through being scientifically explored and technically outdone. After this shift, 'being perfect' takes on an altered meaning: it means having something to say that is more meaningful than the chatter of conventional totalities. Now the torsos and their ilk have their turn: the hour of those forms that do not remind us of anything has come. Fragments, cripples and hybrids formulate something that cannot be conveyed by the common whole forms and happy integrities; intensity beats standard perfection.”