Iceland Quotes

“There is no more sagacious animal than the Icelandic horse. He is stopped by neither snow, nor storm, nor impassable roads, nor rocks, glaciers, or anything. He is courageous, sober, and surefooted. He never makes a false step, never shies. If there is a river or fjord to cross (and we shall meet with many) you will see him plunge in at once, just as if he were amphibious, and gain the opposite bank.”

“We shot 'Oblivion' in Iceland; that was amazing. It's so, so beautiful. They didn't have any Waldorf Hotels there, though; we stayed in the middle of nowhere!”

“I went to Iceland in 1861 and went over nearly every bit of the ground made famous by the adventures of Grettir.”

“Neither mine nor other people's prospects seem particularly pleasing just at the moment, and I have fantasies of going to Iceland, never to return. As it is, I tell myself not to remember the past, not to hope or fear for the future, and not to think in the present, a comprehensive program that will undoubtedly have very little success.”

“That we leave our homes, that we step through our doors to the world, that we travel our whole lives not because we want to collect exotic T-shirts, not because we want to consume foreign adventure the same Western way we consume plastic and Styrofoam and LCD TVs and iPads, but because it has the power to renew us—not the guarantee, not the promise, just the possibility. Because there are places our imaginations can never construct for us, and there are people who we will never meet but we could and we might. It reminds us that there is always reason to begin again.”

“The fact that a cloud from a minor volcanic eruption in Iceland—a small disturbance in the complex mechanism of life on the Earth—can bring to a standstill the aerial traffic over an entire continent is a reminder of how, with all its power to transform nature, humankind remains just another species on the planet Earth.”

“a small nation resembles a big family and likes to describe itself that way. In the language of the smallest European people, in Icelandic, the term for "family" is fjölskylda; the etymology is eloquent: skylda means "obligation"; fjöl means "multiple." Family is thus "a multiple obligation." Icelanders have a single word for "family ties": fjölskyldubönd: "the cords (bönd) of multiple obligations." Thus in the big family that is a small country, the artist is bound in multiple ways, by multiple cords. When Nietzsche noisily savaged the German character, when Stendhal announced that he preferred Italy to his homeland, no German or Frenchman took offense; if a Greek or a Czech dared to say the same thing, his family would curse him as a detestable traitor.”

“Though in this world there are phenomena that might justly be termed "strange," there are no phenomena that cannot -- given sufficient information -- be explained. This is not to suggest that for every effect there is a cause, of course. That is an assumption that we are not prepared to make, less it launch us ineluctably down the path of determinism. This is only to suggest, rather, that there is no "thing" that exists without some relation to at least one other "thing," and it is the matrix of a "thing's" relationship that determines its meaning in the larger context of the world. Even something strange can be explained by tracing its relational lines of flight, however casual or casual they may be.”

“Snarling an oath from an Icelandic saga, I reclaimed my place at the head of the queue. "Oy!" yelled a punk rocker, with studs in his cranium. "There's a fackin' q”