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“Pop is about speaking everybody's language. The imagery and iconography we instantly recognize. When you can rely on things that the public already knows, you're dealing with Pop.”
Nuno Roque“My recommendation instead, however, is that we do not surrender questions of value, whether absolute matters of truth, goodness, and beauty or relative judgment of more or less truth, goodness, and beauty. With those questions to the fore, in fact, we can interrogate various other traditions and truly learn something that can improve our own. Perhaps the Presbyterians really do know more than we do about due process in church government. Perhaps the Orthodox really do know some things we do not about iconography. Perhaps the Mennonites really can teach us the meaning of 'enough.' Perhaps the Pentecostals can help liberate us from dull and disembodied worship. Baptists who have learned to improve their procedures from Presbyterians, their art from the Orthodox, their finances from the Mennonites, and their worship from the Pentecostals do not therefore become worse Baptists but better ones. And so around the ecumenical circle, no?”
John G. Stackhouse Jr., Making the Best of It: Following Christ in the Real World“There is something very unique in American iconography about this notion of the pursuit of happiness.”
David Henry Hwang“I dream of flight, not to be as the angels are, but to rise above the smallness of it all. The smallnesss that I am. Against the daily death the iconography of wings.”
Jeanette Winterson, Art and Lies“Book-jacket design may become a lost art, like album-cover design, without which late-20th-century iconography would have been pauperized.”
James Wolcott“If you look at the history of Wonder Woman, you look at the iconography, the images that have kept her alive - they're not dark. The thing I think is so important to always keep in mind about her is how positive and bright and shiny she is - very much in the same way that Superman has been.”
Patty Jenkins“Between the theme parks and the movies, the Disney iconography was probably the first set of archetypes that I was exposed to. Walt was able to expose me as a child to the full array of emotions, including fear and sorrow. Those movies and attractions haunted my dreams and made a deep impression on me as a child.”
Jon Favreau“When deeply religious subjects view sacred iconography or reflect on their notion of God, brain scans reveal hyperactivity in the caudate nucleus, a part of the pleasure system that correlates with feelings of joy, love, and serenity. But Lindstrom and Calvert found that this same brain region lights up when subjects view images associated with strong brands like Ferrari or Apple.”
Steven Kotler, Stealing Fire: How Silicon Valley, the Navy SEALs, and Maverick Scientists Are Revolutionizing the Way We Live and Work“The idea of decimation as a lottery converts the new iconography of the Burgess Shale into a radical view about the pathways of life and the nature of history. ... May our poor and improbable species find joy in its new-found fragility and good fortune! Wouldn't anyone with the slightest sense of adventure, or the most weakly flickering respect for intellect, gladly exchange the old cosmic comfort for a look at something so weird and wonderful - yet so real - as *Opabinia*?”
Stephen Jay Gould, Wonderful Life: The Burgess Shale and the Nature of History“Ulis, he prayed, abandoning the set words, let my anger die with him. Let both of us be freed from the burden of his actions. Even if I cannot forgive him, help me not to hate him. Ulis was a cold god, a god of night and shadows and dust. His love was found in emptiness, his kindness in silence. And that was what Maia needed. Silence, coldness, kindness. He focused his thoughts carefully on the familiar iconography, the image of Ulis’s open hands; the god of letting go was surely the god who would listen to an unwilling emperor. Help me not to feel hatred, he prayed, and after a while it became easier to ask that Dazhis find peace, that Maia’s anger not be added to the weight against his soul.”
Katherine Addison, The Goblin Emperor