Intro Quotes

“The 21st chapter gives the novel the quality of genuine fiction, an art founded on the principle that human beings change. ----- "A Clockwork Orange Resucked" intro to first full American version 1986”

“The 21st chapter gives the novel the quality of genuine fiction, an art founded on the principle that human beings change. ----- "A Clockwork Orange Resucked" intro to first full American version 1986”

“Prayers For Rain' begins like practically every Cure song, with an introduction that's longer than most Bo Diddley singles. Never mind the omnipresent chill, why does Robert Smith write such interminable intros? I can put on 'Prayers For Rain,' then cook an omelette in the time it takes him to start singing. He seems to have a rule that the creepier the song, the longer the wait before it actually starts. I'm not sure if Smith spends the intro time applying eye-liner or manually reducing his serotonin level, but one must endure a lot of doom-filled guitar patterns, cathedral-reverb drums and modal string synth wanderings during the opening of 'Prayers for Rain.”

“Long intros are cool because there's a little bit of anticipation, you know?”

“This book is a labor of love. It is dedicated to people who have cried themselves to sleep because they were 'different'. It is also a celebration of the 'inner outcast' in all of us, and a humble attempt to inspire tolerance, understanding, and acceptance." the intro from the author”

“Sometimes I'll have sections that I'm not quite sure how they fit in the puzzle of a tune, they'll get moved around; what I think was originally a verse ends up becoming the chorus, or what's an intro gets dropped as a hook, things get shifted around a lot.”

“I like a lot of things about yoga - its an intro to good music; with each good teacher you study with, you learn a lot about them personally; it's not just about specific technique or poses. I also like Shavasana - not too many exercise routines let you nap at the end of them. You don't see nap pods in CrossFit gyms.”

“Organizing the books was a fun afternoon. We decided to put the thick hardback books, mostly intro. to philosophy textbooks and Norton literature anthologies, on the top shelves where they looked good but stayed out of reach since there's no reason for opening them ever again. Then we went by genre: mysteries, cozies, modernists, mountains, sci-fi, beloved childhood volumes, books we bought abroad, books required in school we couldn't sell back, books bought for us we'll read soon, books bought for us we have no intention of reading, books we want to read but are too long for a commitment with our current schedules...We're not really done with this organization, and I doubt we ever will be, but that's one great part about it.”