Jean louis rodolphe agassiz Quotes

“Every scientific truth goes through three states: first, people say it conflicts with the Bible; next, they say it has been discovered before; lastly, they say they always believed it.”

“Every great scientific truth goes through three stages. First, people say it conflicts with the Bible. Next they say it has been discovered before. Lastly they say they always believed it.”

“I cannot afford to waste my time making money.”

“I agree with Agassiz that dogs possess something very like a conscience.”

“This love of money is the curse of American, and for the sake of it men will sell honor and honesty, till we don't know whom to trust, and it is only a genius like Agassiz who dares to say, 'I cannot waste my time in getting rich,'" said Mrs. Jessie sadly.”

“Lara Jean, why do you have to remember every little thing? It's not healthy.”

“When Jean and his mother left Etreuilles, Monsieur Sureau had gathered for them great boxfuls of hawthorn and of snowballs which Madame Santeuil had not the courage to refuse. But, as soon as Jean's uncle had gone home, she threw them away, saying that they already had more than enough in the way of luggage. And then Jean cried because he had been separated from the darling creatures which he would have liked to take with him to Paris, and because of his mother's naughtiness.”

“Writing has become more than just a profession, and hobby…it has become a way to express my feelings and pour my entire soul into the pages of my books. Thank God for the little things in life that makes us feel infinite and tranquil…the little things that make way for us to escape reality and enter new worlds that we create. -Nina Jean Slack”

“Her first really great role, the one that cemented the “Jean Arthur character,” was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra’s Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra’s rendition of Kaufman and Hart’s You Can’t Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). “Jean Arthur is my favorite actress,” said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. “. . . push that neurotic girl . . . in front of the camera . . . and that whining mop would magically blossom into a warm, lovely, poised and confident actress.” Capra obviously recognized that Jean was often frustrated in her career choice.”