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“I keep being told that my writing is getting better and better. - Now, at first I am thrilled by that, but then I think, Isn't everybody's? Do some authors grow cozy with their own style, and stay there?I think of writing fiction as an art form. As such, it's a constant exploration of new and developing ideas. If any of my books were much like my others, I don't think I'd even bother to write them.”
Edward Fahey“As so often happens in my strange writing process, after weeks of distraction; of not thinking about the book at all; yesterday I started writing before the sun was up, or coffee was made. Whipped out a whole chapter of probably six or seven separate scenes in less than two hours. Now today, the whole story has slipped into a deeper level of knowing and connections than has (as far as I know, anyway) ever really been written about before. This is much as my experience was with Ailana, when I kept slipping into deeper and deeper gears. Bringing forth insights I myself had never learned or suspected.”
Edward Fahey“I miss you so much in these wee morning hours,when the depth of the night sets my spirit free.When the forest is dark, and there doesn’t have to be anything in the worldbut the beauty I pull out of it.I miss you throughout the day,as I come across glories and wonders that could easily overwhelm me,but just dull because you’re not here to enjoy them.”
Edward Fahey, The Mourning After“Decades after little Colleen’s death, my sister Kathy still loves her daughter dearly. Colleen was born with cerebral palsy. She died in Kath’s arms in a rocking chair at the age of six. They were listening to a music box that looked very much like a smiling pink bunny.The opening quote in this book, “I will love you forever, but I’ll only miss you for the rest of my life,” is from Kath’s nightly prayers to her child.Colleen couldn’t really talk or walk very well, but loved untying my mother’s tennis shoes and then laughing. When Mom died decades later we sent her off in tennis shoes so Colleen would have something to untie in Heaven.In the meantime, Dad had probably been taking really good care of her up there. He must have been aching to hug her for all of her six years on earth.Mom’s spirit comes back to play with great grandchildren she’d never met or had a chance to love while she was still – I almost said “among the living.” In my family, though, the dead don’t always stay that way. You can be among the living without technically being alive. Mom comes back to play, but Dad shows up only in emergencies. They are both watching over their loved ones.“The Mourning After” is dedicated to all those we have had the joy of loving before they’ve slipped away to the other side.It then celebrates the joy of re-unions.”
Edward Fahey, The Mourning After“Darkness crept through. Shadows pried at doors, teased dull edges of recollections that never quite took hold. Memories that would have shriveled under the blinding sun of daylight. And reason.”
Edward Fahey, The Mourning After“Sometimes I wish I could feel more painso I could touch that much more beauty.”
Edward Fahey, The Mourning After“[Charlie is dying:]After what seemed a long while, but hadn’t been, Marsh gave Paulette’s hand a warm and caring squeeze. “They’re here for him,” she said.But their heavenly visitors didn’t take him right away. They had to make room for the chaos of modern medical urgencies. To get out of the way of well-trained professionals who had dedicated their lives to holding back Heaven.Choppers are just as noisy and turbulent as we imagine them to be. One tore in over the hills and shattered every bit of peace Charlie otherwise could have lost himself into.In an instant the Med-Evac team was all over him. In the midst of that blatant orchestrated chaos Paulette fought to find her peace, and to hold him inside it.“Hang on, buddy,” techs kept telling him. “Don’t go leaving us now. You just hang in there.”But they didn’t understand, Paulette thought. It was his time.The chopper made a horrible racket carrying him off. Marsh, Paulette, and Ailana held their peace as its winds whipped their world into a froth.Harve’s face twisted with something that might conceivably have been rage.Then, all of a sudden, the birds sang, as though someone had given them a cue. “So that’s what it’s like,” Marsha said, very softly.“The afterlife.“My God, it’s so beautiful.”
Edward Fahey, The Gardens of Ailana“Paulette had never been flush with self-confidence. People took that as humility, but humility isn’t painful and crippling. She hadn’t yet learned that humble and self-destructive aren’t the same thing at all. They’re not even on the same team. - From "The Gardens of Ailana" handbook for healers & mystics”
Edward Fahey, The Gardens of Ailana“Ancient philosophers and spiritual teachers were explorers. They wanted us to be as well. They thought we should understand this physical world, but not get stuck here. For thousands of years we have shared their insights, over-analyzed and repeated their words; quoting and re-translating until all meaning has been lost. These great minds, great souls, great beings sought to be jumping off points, not merely the originators of emptied out and desiccated clichés. They wanted to be doorways, not doorstops.”
Edward Fahey, The Gardens of Ailana“Life is about trying to find our ways back to our one shared soul. When we’re looking out at the stars, we’re looking into ourselves.”
Edward Fahey, The Gardens of Ailana