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“You’ve got a lot of responsibility now,” Jace said to Julian. “You’ll have to make sure Emma winds up with a guy who deserves her.” Julian was strangely white-faced. Maybe he was feeling the effects of the ceremony, Emma thought. It had been strong magic; she still felt it sizzling through her blood like champagne bubbles. But Jules looked as if he’d been slapped.“What about me?” Emma said, quickly. “Don’t I have to make sure Jules winds up with someone who deserves him?”“Absolutely. I did it for Alec, Alec did it for me — well, actually, he hated Clary at first, but he came around.” “I BET you didn’t like Magnus much, either,” said Julian, still with the same odd, stiff look on his face.“Maybe not,” said Jace, “but I never would have said so.”“Because it would have hurt Alec’s feelings?” Emma asked.“No,” said Jace, “because Magnus would have turned me into a hat rack.”
Cassandra Clare“JULIAN HUXLEY’S “EUGENICS MANIFESTO”:“Eugenics Manifesto” was the name given to an article supporting eugenics. The document, which appeared in Nature, September 16, 1939, was a joint statement issued by America’s and Britain’s most prominent biologists, and was widely referred to as the “Eugenics Manifesto.” The manifesto was a response to a request from Science Service, of Washington, D.C. for a reply to the question “How could the world’s population be improved most effectively genetically?” Two of the main signatories and authors were Hermann J. Muller and Julian Huxley. Julian Huxley, as this book documents, was the founding director of UNESCO from the famous Huxley family. Muller was an American geneticist, educator and Nobel laureate best known for his work on the physiological and genetic effects of radiation. Put into the context of the timeline, this document was published 15 years after “Mein Kampf” and a year after the highly publicized violence of Kristallnacht. In other words, there is no way either Muller or Huxley were unaware at the moment of publication of the historical implications of eugenic agendas.”
A.E. Samaan, From a "Race of Masters" to a "Master Race": 1948 to 1848“It is very difficult for those always in the spotlight who have constant pressure on them where there is however but a tiny window of freedom if your fortunate enough not to dream." -Julian Quintero”
Julian Quintero“I see you as Lily. I see you for who you are, even though you don't.” -Julian”
Jennifer L. Armentrout, Unchained“I think of the quietness of Julian’s voice as he said I love you, the steadiness of his rib cage rising and falling against my back, as we sleep.I love you, Julian. But the words don’t come.”
Lauren Oliver, Requiem“But like so many others nowadays, poor Julian wanted to believe that man's life is profoundly more significant than it is. His sickness was the sickness of our age. We want so much not to be extinguished at the end that we will go to any length to make conjuror-tricks for one another simply to obscure the bitter, secret knowledge that it is our fate not to be.”
Gore Vidal, Julian“Julian had heard stories-whispers really-of other Shadowhunter children who thought or felt differently. Who had trouble focusing. Who claimed letters rearranged themselves on the page when they tried to read them. Who fell prey to dark sadnesses that seemed to have no reason, or fits of energy they couldn't control.Whispers were all there were, though, because the Clave hated to admit that Nephilim like that existed. They were disappeared into the 'dregs' portion of the Academy, trained to stay out of the way of other Shadowhunters. Sent to the far corners of the globe like shameful secrets to be hidden. There were no words to describe Shadowhunters whose minds were shaped differently, no real words to describe differences at all.Because if there were words, Julian thought, there would have to be acknowledgement. And there were things the Clave refused to acknowledge.”
Cassandra Clare, Lady Midnight“But the thing I remember most about the screening in October twenty years ago was the moment Julian grasped my hand that had gone numb on the armrest separating our seats. He did this because in the book Julian Wells lived but in the movie's new scenario he had to die. He had to be punished for all of his sins. That's what the movie demanded. (Later, as a screenwriter, I learned it's what all movies demanded.) When this scene occurred, in the last ten minutes, Julian looked at me in the darkness, stunned. "I died," he whispered. "They killed me off." I waited a bit before sighing, "But you're still here." Julian turned back to the screen and soon the movie ended, the credits rolling over the palm trees as I (improbably) take Blair back to my college while Roy Orbison wails a song about how life fades away.”
Bret Easton Ellis, Imperial Bedrooms“Certainly it's a rare glimpse into the lives of the Secular Ancients. They don't seem as bad as the Dominion histories make them out to be. Though clearly they were imperfect.""I don't deny that they were imperfect," Julian said in a distant voice. "I'm not uncritical of the Secular Ancients, Adam. They had all sorts of vices, and they committed one sin for which I can never bring myself to entirely forgive them.""What sin is that?""They evolved into us," he said.”
Robert Charles Wilson, Julian Comstock: A Story of 22nd-Century America“Julian said the world was evil and horrible - remember? But then he proved himself that it wasn't”
L.J. Smith, The Kill