Kali Quotes

“Kshatriya, or the man who is qualified to protect the sufferers, is meant to rule the state. Untrained, lower class men or men without ambition to protect the sufferers cannot be placed on the seat as an administrator. Unfortunately in the age of Kali the lower class men without training occupy the post of a ruler by strength of popular votes and instead of protecting the sufferers, such men create a situation quite intolerable for everyone. Such rulers illegally gratify themselves at the cost of all comforts of the citizens, and thus the chaste mother earth cries to see the pitiable condition of her sons, both men and animals.”

“Anna, like most English speakers, thought GASP was a silly name for the project. But the name got the point across. If there were modern wonders of the world, GASP - and Kali - stood as far above them as the Colossus of Rhodes had stood above man.”

“The idea that women are innately gentle is a fantasy, and a historically recent one. Kali, the Hindu goddess of destruction, is depicted as wreathed in male human skulls; the cruel entertainments of the Romans drew audiences as female as they were male; Boudicca led her British troops bloodily into battle.”

“After several stages of individualistic austerity the foundation is made for universalism. So this individualistic austerity should not be considered as illusion. From this Causal body so many forms of gods and goddesses like Shiva, Krishna, Kali can be seen. This has two aspects. One, by self-exertion and another is spontaneous.”

“It is the nature of the Kali Yuga that most human beings are now held back from spiritual liberation due to the gravity of inertia, apathy and laziness, (known in Sankrit as the quality of tapas) that overwhelms this age. Despite this seemingly gloomy prognosis, there is a way out of this predicament for those with the will and stamina to awaken from the rampant lethargy, within and outside of themselves, to take action.”

“We know the original relation of the theater and the cult of the Dead: the first actors separated themselves from the community by playing the role of the Dead: to make oneself up was to designate oneself as a body simultaneously living and dead: the whitened bust of the totemic theater, the man with the painted face in the Chinese theater, the rice-paste makeup of the Indian Katha-Kali, the Japanese No mask ... Now it is this same relation which I find in the Photograph; however 'lifelike' we strive to make it (and this frenzy to be lifelike can only be our mythic denial of an apprehension of death), Photography is a kind of primitive theater, a kind of Tableau Vivant, a figuration of the motionless and made-up face beneath which we see the dead.”

“The reindeer are immortal. They are, in fact, the eight demiurges of reindeer-kind, and this accounts for their flying. Their names might sound whimsical, but they are the closest the human tongue can come to approximating the true names of the caribou lords. Rudolph, far from being the adorable, earnest fellow of the tale, is in fact Ruyd-al-Olafforid, the All-Destroying Flame of the Yukon. His mother was Kali and his father was an ice floe. His nose appears red because his body is full of coals, and his eyes flare with a terrible conflagration of the soul. The tips of his antlers are like candles in the snowy wind. He is not vengeful, but he is the light in the dark of winter, consuming and giving life at the same time. Your carrots only make the lord of flame stronger.”

“You are a fool to speak of last great battles, Sam, for the last great battle is always the next one.”

“जयति महाकाली जयति, आद्य काली माताजय कराला वदने जयति, जगाता मातु विख्याताVictory to you, O Mahakali! - To you Victory,The primordial source of all beings - Victory!The formidable-looking goddess - To you Victory,Renowned as the mother of the world - Victory!”