Lisbon Quotes

“Lisbon, to me, is the Lisbon of Pessoa. Just like London is Woolf’s, or rather, Mrs. Dalloway’s. Barcelona is Gaudí's and Rome is da Vinci’s. You see them in every crevice and hear their echoes in every cathedral. I’d like to be the child, or rather, the mother of a city but I neither have a home nor a resting place. My race is humankind. My religion is kindness. My work is love and, well, my city is the walls of your heart.”

“Lisbon, to me, is the Lisbon of Pessoa. Just like London is Woolf’s, or rather, Mrs. Dalloway’s. Barcelona is Gaudí's and Rome is da Vinci’s. You see them in every crevice and hear their echoes in every cathedral. I’d like to be the child, or rather, the mother of a city but I neither have a home nor a resting place. My race is humankind. My religion is kindness. My work is love and, well, my city is the walls of your heart.”

“But how conceive a God supremely good/ Who heaps his favours on the sons he loves,/ Yet scatters evil with as large a hand?[Written after an earthquake in Lisbon killed over 15,000 people]”

“Dostoyevsky's indignation at Afanasy Fet's innocent lyrics, "Whispers, timid breath, the nightingales trilled," is well known. This is simply disgraceful, wrote Dostoyevsky indignantly, and he speculated what an insulting impression such empty verses would have made if they'd been given to someone to read during the Lisbon earthquake! Some people protested: Yes, of course, Dostoyevsky is right, but we aren't having an earthquake, and we aren't in Lisbon, and after all, are we not allowed to love, to listen to nightingales, to admire the beauty of a beloved woman? But Dostoyevsky's argument held sway for a long time. It did so because of the way Russians perceive Russian life: as a constant, unending Lisbon earthquake.”

“A long time ago I lived in Lisbon,' she said, in softly slurred Portuguese that made the name of the city Leesh-boa. 'But before that, meus neto, my tribe was in the mountains where there are only old things, like the trees and the rocks and the streams. There are truths to be learned from the old things -' She hesitated, and her brown, shrunken claw closed over Pete's hand. 'Do you know the truth, Pedrinho?'("Before I Wake...")”

“We can be sure that we will hold on to the deathbed as part of the last balance sheet – and this part will taste bitter as cyanide – that we have wasted too much, much too much strength and time on getting angry and getting even with others in a helpless shadow theater, which only we, who have suffered importantly, knew anything about ~ Night Train to Lisbon”

“This story, which takes place one a Sunday in July in a hot, deserted Lisbon, is the Requiem that the character I refer to as “I” was called on to perform in this book. Were someone to ask me why I wrote this story in Portuguese, I would answer simply that a story like this could only be written in Portuguese; it's as simple as that. But there is something else that needs explaining. Strictly speaking, a Requiem should be written in Latin, at least that's what tradition prescribes. Unfortunately, I don't think I'd be up to it in Latin. I realised though that I couldn't write a Requiem in my own language and I that I required a different language, one that was for me A PLACE OF AFFECTION AND REFLECTION.”

“Kitsch is the most pernicious of all prisons. The bars are covered with the gold of simplistic, unreal feelings, so that you take them for the pillars of a palace.”

“Strange how complicated we can make things just to avoid showing what we feel!”

“You can never have for yourself someone who isn't on good terms with himself.”

“What comfort there is in the skin of someone you love!”