Making art Quotes

“If you make art, people will talk about it. Some of the things they say will be nice, some won’t. You’ll already have made that art, and when they’re talking about the last thing you did, you should already be making the next thing.If bad reviews (of whatever kind) upset you, just don’t read them. It’s not like you’ve signed an agreement with the person buying the book to exchange your book for their opinion.Do whatever you have to do to keep making art. I know people who love bad reviews, because it means they’ve made something happen and made people talk; I know people who have never read any of their reviews. It’s their call. You get on with making art.”

“its badness is so potent that it seems to undermine the very idea of literature, to expose the whole endeavour of making art out of language as essentially and irredeemably fraudulent”

“To me, success is making a positive difference through art - making art that affects the world and that changes the way people feel about themselves and the world.”

“I mean, making art is about objectifying your experience of the world, transforming the flow of moments into something visual, or textual, or musical, whatever. Art creates a kind of commentary.”

“Don't think about making art, just get it done. Let everyone else decide if it's good or bad, whether they love it or hate it. While they are deciding, make even more art.”

“I think my first experience of art, or the joy in making art, was playing the horn at some high-school dance or bar mitzvah or wedding, looking at a roomful of people moving their bodies around in time to what I was doing. There was a piano player, a bass player, a drummer, and my breath making the melody.”

“Always good to remember when you're making art. You don't have to like it, just be ready to do the next thing.”

“Making art requires a degree of intentionality. All works of art require a contemplative individual drawing from their bank of knowledge and immersion into the realms of memory and imagination in order to make an outward, communicative expression. Only human beings can draw upon the dialectical tension between memory and imagination to create artistic renderings.”

“That is why my first and most pressing question seems like such an outright act of mutiny. What I want to know is, since when does making art require participation in any community, beyond the intense participation that the art itself is undertaking? Since when am I not contributing to the community if all I want to do is make the art itself? Isn’t the art itself my intimate communication with others, with the world, with the unfolding spectacle of the human struggle as we live and coexist on this earth?”