Mechanics Quotes

“I overcame size with mechanics.”

“For many years I have been saying that I would like to write a book (or series of books) called Physics for Mathematicians. Whenever I would tell people that, they would say, “Oh good, you're going to explain quantum mechanics, or string theory, or something like that”. And I would say, “Well that would be nice, but I can't begin to do that now; first I have to learn elementary physics, so the first thing I will be writing will be Mechanics for Mathematicians”. So then people would say, “Ah, so you're going to be writing about symplectic structures”, or something of that sort. And I would have to say, “No, I'm not trying to write a book about mathematics for mathematicians, I'm trying to write a book about physics for mathematicians”; …… it's elementary mechanics that I don't understand. … I mean, for example, that I don't understand this – lever.... Most of us know the law of the lever, but this law is simply a quantitative statement of exactly how amazing the lever is, and doesn't give us a clue as to why it is true, how such a small force at one end can exert such a great force at the other. Now physicists all agree that Newton's Three Laws are the basis from which all of mechanics follows, but if you ask for an explanation of the lever in terms of these three laws, you will almost certainly not get a satisfactory answer.”

“HOW TO DRIVE A WRITER CRAZY“1. When he starts to outline a story, immediately give him several stories just like it to read and tell him three other plots. This makes his own story and his feeling for it vanish in a cloud of disrelated facts."2. When he outlines a character, read excerpts from stories about such characters, saying that this will clarify the writer's ideas. As this causes him to lose touch with the identity he felt in his character by robbing him of individuality, he is certain to back away from ever touching such a character."3. Whenever the writer proposes a story, always mention that his rate, being higher than other rates of writers in the book, puts up a bar to his stories."4. When a rumor has stated that a writer is a fast producer, invariably confront him with the fact with great disapproval, as it is, of course, unnatural for one human being to think faster than another."5. Always correlate production and rate, saying that it is necessary for the writer to do better stories than the average for him to get any consideration whatever."6. It is a good thing to mention any error in a story bought, especially when that error is to be editorially corrected, as this makes the writer feel that he is being criticized behind his back and he wonders just how many other things are wrong."7. Never fail to warn a writer not to be mechanical, as this automatically suggests to him that his stories are mechanical and, as he considers this a crime, wonders how much of his technique shows through and instantly goes to much trouble to bury mechanics very deep—which will result in laying the mechanics bare to the eye."8. Never fail to mention and then discuss budget problems with a writer, as he is very interested."9. By showing his vast knowledge of a field, an editor can almost always frighten a writer into mental paralysis, especially on subjects where nothing is known anyway."10. Always tell a writer plot tricks, as they are not his business.”

“I have enormous respect for people who are gifted mechanics.”

“You create reality by looking at it, is what Quantum Mechanics suggests. This may sound outrageously magical. Quantum Mechanics or QM, is the physics of the microscopic world. It is a strange theory that took birth in the early 20th century and continues to dazzle scientists and philosophers today. So much so, that QM is regarded as the gateway to the world of consciousness, bringing science and spiritualty together. Science has entered domain of philosophy and consciousness/spirituality through Quantum Mechanics, making it a hot topic for debate among intellectuals from both scientific and philosophical domains. Some physicists even insist on making philosophy of physics!”

“The mechanism of the clock was enclosed in a box resembling a large cupboard, but I was disappointed with the workings. They were much smaller than I had anticipated. The clock was worked by heavy weights suspended on long cables. My father picked up a handle like the crank handle of a car and wound them up. There were two of them. One to work the hands, the other controlling the hammer which struck out the hours on a large bell. Then the mousetraps were set, Not to catch mice, but to control the lighting. Previously my father had to make a special trip each evening to switch on the lights of the clock, returning near midnight to switch them off. To obviate this he invented a method of light control which may have been unique. Two switches, one for switching on and the other for switching off were used. They were fixed on the inside wall of the tower. A mousetrap mounted near each switch was so arranged that when the trap sprung, the arc traversed by the closing trap enabled the switch to be flicked on or off as required. Adjustable sleeves were set along the the cables for required times. The sleeves on the descending cables tripped the mouse traps which actuated the switches.”

“Physical reality does not require that we be pleased with its mechanism.”

“Einstein said that if quantum mechanics were correct then the world would be crazy. Einstein was right - the world is crazy.”

“...quantum mechanics—the physics of our world—requires that you hold such pedestrian complaints in abeyance.”