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“Melodramas of moral courage provide satisfaction through the comforting fantasy that our own character would hold steady under the most extreme pressure of dreadful events. [But we must face] the painful awareness that in all likelyhood one's own character would not have stood firm.”
Jonathan Shay“It is the custom on the stage: in all good, murderous melodramas: to present the tragic and the comic scenes, in as regular alternation, as the layers of red and white in a side of streaky, well-cured bacon. The hero sinks upon his straw bed, weighed down by fetters and misfortunes; and, in the next scene, his faithful but unconscious squire regales the audience with a comic song. We behold, with throbbing bosoms, the heroine in the grasp of a proud and ruthless baron: her virtue and her life alike in danger; drawing forth a dagger to preserve the one at the cost of the other; and, just as our expectations are wrought up to the highest pitch, a whistle is heard: and we are straightway transported to the great hall of the castle: where a grey-headed seneschal sings a funny chorus with a funnier body of vassals, who are free of all sorts of places from church vaults to palaces, and roam about in company, carolling perpetually.Such changes appear absurd; but they are not so unnatural as they would seem at first sight. The transitions in real life from well-spread boards to death-beds, and from mourning weeds to holiday garments, are not a whit less startling; only, there, we are busy actors, instead of passive lookers-on; which makes a vast difference. The actors in the mimic life of the theatre, are blind to violent transitions and abrupt impulses of passion or feeling, which, presented before the eyes of mere spectators, are at once condemned as outrageous and preposterous.”
Charles Dickens, Oliver Twist“In drama, the characters should determine the story. In melodrama, the story determines the characters.”
Sidney Lumet, Making Movies“Love in France is a comedy in England a tragedy in Italy an opera seria and in Germany a melodrama.”
Marguerite Blessington“Of course real horror does not depend upon the melodrama of shadows or even the conspiracies of night.”
Mark Z. Danielewski, House of Leaves“All the political angst and moral melodrama about getting 'the rich' to pay 'their fair share' is part of a big charade. This is not about economics, it is about politics.”
Thomas Sowell“She often felt like she had been cast in a supportingrole with the film that was Louise. And there was more melodrama to be found there than a full-scale Merchant-Ivory period production. Tonight, she was certain, would be no exception.”
Kerri Thomson, The Chocolate Is The Life“I think that's what distinguishes Schmidt, really. In the movies now, so much of what is appealing to an audience is the dramatic or has to do with science fiction, and Schmidt is simply human. There's no melodrama; there's no device, It's just about a human being.”
Jack Nicholson“It is the custom on the stage in all good, murderous melodramas, to present the tragic and the comic scenes in as regular alternation as the layers of red and white in a side of streaky, well-cured bacon.”
Charles Dickens“This melodrama differed from others in that it was not written, it was to be played impromptu, and only once; after that it would be precedent, and would determine the destinies of mankind perhaps for centuries. Each of the actors hoped to write it his way, and no living man could say what the dénouement would be.”
Upton Sinclair, World's End