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“we refer to the Middle Ages as ages of faith; a time in which men believed a heavenly Jerusalem above the sky much as they believed an earthly Sion beyond the sea; when the whole of their thought was of a piece with their theology...those were days when a thoughtful soul here or there could realize some unity of mental vision. The fact should be admitted, however we regard it - whether as the stultifying tyranny of dogma or as an enviable single-mindedness; an ideal too easily realized, no doubt, in a plentiful dearth of empirical knowledge, and yet establishing a standard after which perplexed modernity may strive.”
Jocelyn Gibb“Here at last was an Attendant Spirit to liberate us from the spells of Burkhardt or Addington Symonds and challenge the easy antithesis of fantastic and fideistic Middle Ages versus logical and free-thinking Renaissance. And it is a prime justification of medieval studies that if properly pursued they soon dispose of such facile distinctions, and overthrow the barriers of narrow specialism and textbook chronology. In this sense medieval just as much as classical studies make men more humane. It would indeed be hard to separate in Lewis' culture the one from the other: just as hard as it is to understand the Middle Ages themselves without knowing classical literature or the Renaissance without knowing the Middle Ages. This continuity of literature and of learning Lewis not only asserted but embodied.”
Jocelyn Gibb, Light on C. S. Lewis“Science uses the Red Shift to measure deep cosmic distances. But how to measure deep historic time? How about—the Saffron Shift.If history itself had a color, it is . . . like wood or bark, or living forest floor.Assigning hues to time periods, the sum total of history is saffron-brown—but the chromatic arc starts from blinding white (prehistory) to sun-yellow (Ancient Greece), then deepening to pale wood tones (Dark Ages) and finally exploding like an infinite chord into a full brown palette that includes mahoganies, siennas (Middle Ages), oak, sandalwood (the Renaissance), cherry, maple (Age of Reason), and near-black old woods (Industrial Revolution) for which there may not be names.As time approaches our own, the wood-brown palette fades to a weird glassy colorlessness, goes black-and-white for a brief span as you think of photographs of your grandparents, and then again fades until we get a clear medium that is the color of the world.And the present moment is perfectly transparent.It's only as you start looking into the future, that the colors start returning. The glass is turning silvery with a murky haze, and there is blue somewhere in the distance . . .”
Vera Nazarian, The Perpetual Calendar of Inspiration“The institution of chivalry forms one of the most remarkable features in the history of the Middle Ages.”
Horatio Alger“In the middle ages people were tourists because of their religion, whereas now they are tourists because tourism is their religion.”
Robert Runcie“What I want to know is, in the Middle Ages, did they do anything for Housemaid's Knee? What did they put in their hot baths after jousting?”
H.G. Wells, Tono-Bungay“When humanity finally emerges from the Middle Ages altogether, when he stops connecting psychic behavior with"the work of the Devil" or with some unknown, unmentionable force, then he will emerge into the New Age of enlightenment.”
Daniel Logan“It was called the Middle Ages, the Dark Ages. If not for the monks, everything the world had ever learned would have been lost. Well, we live in a similar time, when we're losing the vast majority of what we do and see and learn. But it doesn't have to be that way.”
Dave Eggers, The Circle“In the Middle Ages, cathedrals and convents burned like tinder; imagining a medieval story without a fire is like imagining a World War II movie in the Pacific without a fighter plane shot down in flames.”
Umberto Eco, Postscript to the Name of the Rose“Magic begins in superstition, and ends in science. ... At every step the history of civilization teaches us how slight and superficial a structure civilization is, and how precariously it is poised upon the apex of a never-extinct volcano of poor and oppressed barbarism, superstition and ignorance. Modernity is a cap superimposed upon the Middle Ages, which always remain.”
Will Durant