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“Writer is a miner”
he works in the gloomy places like a miner to get the precious material.“The names of minerals and the minerals themselves do not differ from each other, because at the bottom of both the material and the print is the beginning of an abysmal number of fissures. Words and rocks contain a language that follows a syntax of splits and ruptures. Look at any word long enough and you will see it open up into a series of faults, into a terrain of particles each containing its own void.”
Robert Smithson“How shall a society remember its miners underground while it cannot even remember its homeless above ground?”
Mehmet Murat ildan“A society must create lots of sunshine for its miners as they need the sun most! And ‘to be remembered, to be respected’ is a good sunshine; ‘safety in the mine’ is a good sunshine!”
Mehmet Murat ildan“Here, are the stiffening hills, here, the rich cargoCongealed in the dark arteries,Old veinsThat hold Glamorgan's blood.The midnight miner in the secret seams,Limb, life, and ”
Mervyn Peake, Collected Poems“Life comes to the miners out of their deaths, and death out of their lives.”
Mary Harris Jones“Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?”“Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says.“Your father? Why?” I ask.“He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says.“What? You’re making that up!” I exclaim.“No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’”“That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father.“So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says.“Oh, please,” I say, laughing.“No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.”“Without success,” I add.“Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death.It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true?“You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.”“I am now,” I say.“Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!”I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.”
Suzanne Collins, The Hunger Games“The mineral world is a much more supple and mobile world than could be imagined by the science of the ancients. Vaguely analogous to the metamorphoses of living creatures, there occurs in the most solid rocks, as we now know, perpetual transformation of a mineral species.”
Pierre Teilhard de Chardin