Morris Quotes

“In the dry places, men begin to dream. Where the rivers run sand, there is something in man that begins to flow. West of the 98TH Meridian - where it sometimes rain and it sometimes doesn’t – towns, like weeds, spring up when it rains, dry up when it stops. But in a dry climate, the husk of the plant remains. The stranger might find, as if preserved in amber, something of the green life that was once lived there, and the ghosts of men who have gone on to a better place. The withered towns are empty, but not uninhabited. Faces sometimes peer out from the broken windows, or whisper from the sagging balconies, as if this place – now that is dead – had come to life. As if empty it is forever occupied. Reproduced in THE BORSCHT BELT from The Works of Love by Wright Morris by permission of the University of Nebraska Press. Copyright 1949, 1951 by Wright Morris.”

“In the dry places, men begin to dream. Where the rivers run sand, there is something in man that begins to flow. West of the 98TH Meridian - where it sometimes rain and it sometimes doesn’t – towns, like weeds, spring up when it rains, dry up when it stops. But in a dry climate, the husk of the plant remains. The stranger might find, as if preserved in amber, something of the green life that was once lived there, and the ghosts of men who have gone on to a better place. The withered towns are empty, but not uninhabited. Faces sometimes peer out from the broken windows, or whisper from the sagging balconies, as if this place – now that is dead – had come to life. As if empty it is forever occupied. Reproduced in THE BORSCHT BELT from The Works of Love by Wright Morris by permission of the University of Nebraska Press. Copyright 1949, 1951 by Wright Morris.”

“Morris tried to keep the books in some sort of order, but they always mixed themselves up. The tragedies needed cheering up and would visit with the comedies. The encyclopedias, weary of facts, would relax with the comic books and fictions. All in all it was an agreeable jumble.”

“The view from the mountaintop is reserved for the uncommon man.”

“Stamp your performance with excellence.”

“How much are you willing to sacrifice to achieve the level of success you desire?”

“Morris chopped off the girl's hand with a hatchet then guttered laughter. The poor mulato wailed, her stump pumping. "What'choo do that for!" Cutton bellowed. He hadn't even gotten his trousers off before Morris had pulled this move.”

“Dr. Morris believes, and I strongly agree, that couples are most likely to bond securely when they have not rushed the dating experience. Time is the critical ingredient.”

“We are all ghosts," Morris Klapper said at last. "We are conceived in a moment of death and born out of ghost wombs, and we play in the streets with other little ghosts, chanting ghost-rhymes and scratching to become real. We are told that life is full of goals and that, although it is sadly necessary to fight, you can at least choose your war. But we learn that for ghosts there can only be one battle: to become real. A few of us make it, thus encouraging other ghosts to believe it can be done.”

“Dr. Morris soon recognized that the difference between successful and unsuccessful marriages can often be traced to how well couples are able to "bond" during the courtship period. By bonding he referred to the process by which a man and woman become cemented together emotionally. It describes the chemistry that permits two previous strangers to become intensely valuable to one another. It helps them weather the storms of life and remain committed in sickness and health, for richer or poorer, for better or worse, forsaking all others until they are parted in death. It is a phenomenal experience that almost defies description.”

“The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.”