Musical theater reference Quotes

“You can't speak Music with notes alone, but you can speak Music without notes at all!”

“If you're reading this book, there is probably an artist or band whose music you have an intense personal relationship with. I would also guess that this artist or band came into your life during a time when you were highly vulnerable. if this is the case, this artist or band might be the closest thing you had to a confidant. in fact, he, she, or it was better than a confidant, because his/her/its music articulated your own thoughts and feeling better than you ever could. This music elevated the raw materials of your life to the heights of art and poetry. It made you feel as if your personal experience was grander and more meaningful than it might otherwise have been. And naturally you attributed whatever that music was doing to your heart and brain to the people who made the music, and you came to believe that the qualities of the music were also true of the music's creators. "If this music understands me, then the people behind the music must also understand me," goes this line of thought.”

“Deep emotional response to music typically arises as a product of the most intense musical perception. It is generally in virtue of the recognition of emotions expressed in music, or of the emotion-laden gestures embodied in musical movement, that an emotional reaction occurs.”

“Musicians do not have to be believed in. We do not have to be trusted. Our Music speaks for itself without the listener having to know anything about us. Music touches people's emotions in a way that nothing else can. When people find a musician they like, they are usually fans for Life. If they like the musician and his Music, they will open up their hearts to whatever that musician has to say. It matters not what country the musician or the fan comes from. Music is a language that all understand. It goes beyond and breaks down barriers. This makes the musician very powerful, and with power comes responsibility.”

“Music could ache and hurt, that beautiful music was a place a suffering man could hide.”

“Repetition draws us into music, and repetition draws music into us.”

“Music is where I feel loved. Past, present. Music is where I give love. Why do I continue to enter rooms of strangers who are suffering, dying, cursing, diminished, unwashed? Because of love. I don't see hollow faces, blank stares, decaying bodies. I see the faces of God in these human beings. Precious people with stories, contributions, presence. Music pays tribute to their lives, often coaxes out their life stories, gives them worth, but most of all loves them when they are lost, weak, vulnerable.”

“MUSIC. It’s in my heart! It’s in my mind! It’s in my soul! Music has a way of taking control of my entire being, and I’m perfectly okay with that! Music is Life! Music is LOVE. Music makes life extra special! Music is a GIFT to the world!”

“Country music was the most segregated kind of music in America, where even whites played jazz and even blacks sang in the opera. Something like country music was what lynch mobs must have enjoyed while stringing up their black victims. Country music was not necessarily lynching music, but no other music could be imagined as lynching’s accompaniment. Beethoven’s Ninth was the opus for Nazis, concentration camp commanders, and possibly President Truman as he contemplated atomizing Hiroshima, classical music the refined score for the high-minded extermination of brutish hordes. Country music was set to the more humble beat of the red-blooded, bloodthirsty American heartland.”