Musil Quotes

“All still lifes are actually paintings of the world on the sixth day of creation, when God and the world were alone together, without man!”

“Layer by layer art strips life bare.”

“One must conform to the baseness of an age or become neurotic.”

“Anyone who still wants to experience fairytales these days can’t afford to dither when it comes to using their brains.”

“And after all, if stupidity did not, when seen from within, look so exactly like talent as to be mistaken for it, and if it could not, when seen from the outside, appear as progress, genius, hope, and improvement, doubtless no one would want to be stupid, and there would be no stupidity.”

“A man going quietly about his business all day long expends far more muscular energy than an athlete who lifts a huge weight once a day. This has been proved physiologically, and so the social sum total of everybody's little everyday efforts, especially when added together, doubtless releases far more energy into the world than do rare heroic feats. This total even makes the single heroic feat look positively minuscule, like a grain of sand on a mountaintop with a megalomaniacal sense of its own importance.”

“For if one is partly insane, one is also, juridically, partly sane, and if one is partly sane one is at least partly responsible for one's actions, and if one is partly responsible one is wholly responsible; for responsibility is, as they say, that state in which the individual has the power to devote himself to a specific purpose of his own free will, independently of any compelling necessity, and one cannot simultaneously possess and lack such self-determination.”

“Even Diotima and Amheim were shy of using it without a modifier, for it is still possible to speak of having a great, noble, craven, daring, or debased soul, but to come right out with "my soul" is something one simply cannot bring oneself to do. It is distinctly anolder person's word, and this can only be understood by assuming that in the course of life people become more and more aware of something for which they urgently need a name they cannot find until they finally resort, reluctantly, to the name they had originally despised. How to describe it, then? Whether one is at rest or in motion, what matters is not what lies ahead, what one sees, hears, wants, takes, masters. It forms a horizon, a semicircle before one, but the ends of this semicircle are joined by a string, and the plane of this string goes right through·the middle of the world. In front, the face and hands look out of it; sensations and strivings run ahead of it, and no one doubts that whatever one does·is always reasonable, or at least passionate. In other words, outercircumstances call for us to act in a way everyone can understand; and if, in the toils of passion, we do something incomprehensible, that too is, in its own way, understandable.”

“We have gained reality and lost dream. No more lounging under a tree and peering at the sky between one's big and second toes; there's work to be done. To be efficient, one cannot be hungry and dreamy but must eat steak and keep moving.”