Neuro lit crit Quotes

“IT’S NOT THAT ANYONE CAN BE A HERO, BUT THAT A HERO CAN COME FROM ANYWHERE. BUT THE KEY IS THAT THEY HAVE TO HAVE SOMETHING INSIDE THEM. A SPARK. A SENSE OF MORALITY. A YEARNING.”

“IT IS NOT ABOUT SYMPATHY OR LIKEABILITY, EITHER. EMPATHY IS ABOUT THE TRANSLATION OF FEELING.”

“Never in your life have you been helpless—under somebody’s heel. You never lived where your enemies held power over you, power to run your life or wipe it out. You can’t understand. That’s how come you stand there feeding me empty slogans!” Luciente bowed her head. “You crit me justly, Connie. Forgive me. I’ll try to see your situation more clearly and make less loud noises in your ears.”

“The notion of literature as only one of several avenues to a single typeof propositional knowledge is, of course, hardly the winning ticket in lit-crit today. More typical are sentiments that see such a notion as not even admissible, if at all desirable. The world of these academic refuseniks is, however, a bleak and sterile place. Disarmed by their own epistemic fiat, scholars cannot assert anything since they deny the idea of objective rationality. If they arrive at an insight whose truth they wish to defend – for example that truth and rationality are passé – they can’t do so because truth and rationality are constructed to be constructed.”

“However, an artist is limited only by his own skill and imagination. He’s in total control of his art. Whereas nature is the artist here, and I merely try to interpret and manage her design.”

“I can tell how good a novel is by how it portrays Jesus.”

“What does literature do better than anything else? It provides a detailed representation of the inner experience of being alive in a given time and place.”

“She might've previously veered off track and landed straight into chick lit land, but how many chick lits had the main character recognize how unpredictable life is and then apologize to those she had hurt when she tried forcing things to fit in placr?”

“My work has often been described as “chick lit” and for the most part the term doesn’t bother me. I think it simply signals to readers that the book is about women, written for women (although many men enjoy my books), about issues that concern women (relationships, careers, etc.) The only thing that bothers me is when the label is used disparagingly, to imply that all chick lit is, by definition, superficial, beach-read fluff because I believe that this is akin to saying that all women are devoid of substance and the issues that concern us, are fundamentally trivial ones. And I take issue with that.”