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The dark clouds make the black sea. (Les nuages noirs - Font la mer noire)

Charles de Leusse
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The dark clouds make the black sea. (Les nuages noirs - Font la mer noire)

Charles de Leusse
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I decided to coin the term 'cosy crime noir' for Brighton Belle. That is 'cosy crime' for today's sensibilities because there is that slightly edgy element to it.

Sara Sheridan
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But suspense presupposes uncertainty. No matter how nightmarish the situation, real suspense is impossible when we know in advance that the protagonist will prevail (as we would if Woolrich had used series characters) or will be destroyed. This is why, despite his congenital pessimism, Woolrich manages any number of times to squeeze out an upbeat resolution. Precisely because we can never know whether a particular novel or story will be light or dark, allegre or noir, his work remains hauntingly suspenseful.("Introduction")

Francis M. Nevins Jr., Night and Fear: A Centenary Collection of Stories by Cornell Woolrich
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The viewpoint character in each story is usually someone trapped in a living nightmare, but this doesn't guarantee that we and the protagonist are at one. In fact Woolrich often makes us pull away from the person at the center of the storm, splitting our reaction in two, stripping his protagonist of moral authority, denying us the luxury of unequivocal identification, drawing characters so psychologically warped and sometimes so despicable that a part of us wants to see them suffer. Woolrich also denies us the luxury of total disidentification with all sorts of sociopaths, especially those who wear badges. His Noir Cop tales are crammed with acts of police sadism, casually committed or at least endorsed by the detective protagonist. These monstrosities are explicitly condemned almost never and the moral outrage we feel has no internal support in the stories except the objective horror of what is shown, so that one might almost believe that a part of Woolrich wants us to enjoy the spectacles. If so, it's yet another instance of how his most powerful novels and stories are divided against themselves so as to evoke in us a divided response that mirrors his own self-division.("Introduction")

Francis M. Nevins Jr., Night and Fear: A Centenary Collection of Stories by Cornell Woolrich
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Noir is a court of human relations, and some crimes are beyond legal restitution.

Margo Jefferson
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Trust me. What a phrase. Is it a phrase or an idiom? I was never a wordsmith and I was too far along in life to even attempt to tackle a problem as complicated as words. Do writers struggle as much with words as a painter does with his paint and his brush?“Okay,” it is impossible not to trust a beautiful woman. Even macho noir anti-heroes who talk about staying out of trouble and doin’ nothin’ for nobody always get sucked into intricate snares set for them by beautiful women… I would not be an exception.

Bruce Crown, How Dim the Promised Land
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victor hugo, Les Contemplations, MorsJe vis cette faucheuse. Elle était dans son champ. Elle allait à grands pas moissonnant et fauchant, Noir squelette laissant passer le crépuscule. Dans l'ombre où l'on dirait que tout tremble et recule, L'homme suivait des yeux les lueurs de la faulx.Et les triomphateurs sous les arcs triomphaux Tombaient ; elle changeait en désert Babylone, Le trône en échafaud et l'échafaud en trône, Les roses en fumier, les enfants en oiseaux,L'or en cendre, et les yeux des mères en ruisseaux. Et les femmes criaient : - Rends-nous ce petit être. Pour le faire mourir, pourquoi l'avoir fait naître ? -Ce n'était qu'un sanglot sur terre, en haut, en bas ; Des mains aux doigts osseux sortaient des noirs grabats ; Un vent froid bruissait dans les linceuls sans nombre ; Les peuples éperdus semblaient sous la faulx sombre Un troupeau frissonnant qui dans l'ombre s'enfuit ; Tout était sous ses pieds deuil, épouvante et nuit.Derrière elle, le front baigné de douces flammes, Un ange souriant portait la gerbe d'âmes.

Victor Hugo
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you're the fly on the wall hearing all, seeing allears of a wall hearing all the secretsperhaps you're the vines creeping over the old abandoned mansion wallsdusty, soulless and deadbringing a certain curious life to rubbleand I think you're the jewel-eyed geckosneaking around the warm summer wallsbetween jasmine and olive branchessticky pad toes, clinging to the wallspeeking in at lonely summer spicy love-makingthrough silk curtains from the bright orientbreathing in incense and tasting decadenceclimbing the sharply barbed wallsthe smooth cemented white-washed wallsbecause walls breathe too

Moonshine Noire
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The ocean cradles the bloodied moon in its aquatic arms like a mother holds her crying babe.

Moonshine Noire
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A radiant full moon of silver hangs in the black sky, between the veils of misty clouds.

Moonshine Noire
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