Nora and patch Quotes

“My parents had drinks and there were crudités for us- although they were not called crudités at the time, they were called carrots and celery.”

“My own brother calling me a brickhead. Sneering faeries insulting me. Women punching me in the face. How much more am I to swallow in one bloody day?”

“It was a well-aimed arrow. Had anyone even noticed she was no longer at the library? All the people she'd worked with, worked for? All the patrons she'd helped? Had she been so replaceable that her absence hadn't caused a single ripple?Hadn't she mattered at all?”

“People in hell want snowcones.”

“If anyone were to find out—” I began.Patch kissed me, hard, but with an amused glint in his eye. “If I get caught, it’ll mean the end of kissing you. Do you really think I’d risk that?” His face grew serious. “I know I can’t feel your touch, but I feel your love, Nora. Inside me. It means everything to me. I wish I could feel you the same way you feel me, but I have your love. Nothing will ever outweigh that. Some people go their entire lives never feeling the emotions you’ve given me. There is no regret in that.”

“Torvald: I would gladly work night and day for you, Nora--bear sorrow and want for your sake. But no man would sacrifice his honour for the one he loves. Nora: But hundreds of thousands of women have done!”

“What does ‘hmm’ have to do with anything? Could you ever use more than five words? All this grunting and minced words make you come across—primal.”His smile tipped higher. “Primal.”“You’re impossible.”“Me Jev, you Nora.”

“Helmer: I would gladly work night and day for you. Nora- bear sorrow and want for your sake. But no man would sacrifice his honor for the one he loves.Nora: It is a thing hundreds of thousands of women have done.”

“...at Newsweek only girls with college degrees--and we were called "girls" then--were hired to sort and deliver the mail, humbly pushing our carts from door to door in our ladylike frocks and proper high-heeled shoes. If we could manage that, we graduated to "clippers," another female ghetto. Dressed in drab khaki smocks so that ink wouldn't smudge our clothes, we sat at the clip desk, marked up newspapers, tore out releveant articles with razor-edged "rip sticks," and routed the clips to the appropriate departments. "Being a clipper was a horrible job," said writer and director Nora Ephron, who got a job at Newsweek after she graduated from Wellesley in 1962, "and to make matters worse, I was good at it.”