Objects Quotes

“It is often asserted that, in view of the situation in quantum theory, object and subject can no longer be sharply separated. 1 To use Heitler’s words, the ‘separation of the world into an “objective outside reality”, and “us”, the self-conscious onlookers, can no longer be maintained. Object and subject become inseparable from each other’. 2 This, according to Bohr, is due to ‘the impossibility of any sharp separation between the behaviour of atomic objects and the interaction with the measuring instruments which serve to define the conditions under which the phenomena appear’. 3 Heitler elaborates the point in some detail. ‘One may ask’, he writes, ‘if it is sufficient to carry out a measurement by a self-registering apparatus or whether the presence of an observer is required.’ And he arrives at the conclusion that the self-registering apparatus is insufficient, and that ‘the observer appears, as a necessary part of the whole structure, and in his full capacity as a conscious being’.”

“As an empiricist I continue to think of the conceptual scheme of science as a tool, ultimately, for predicting future experience in the light of past experience. Physical objects are conceptually imported into the situation as convenient intermediaries-not by definition in terms of experience, but simply as irreducible posits comparable, epistemologically, to the gods of Homer. For my part I do, qua lay physicist, believe in physical objects and not in Homer's gods; and I consider it a scientific error to believe otherwise. But in point of epistemological footing the physical objects and the gods differ only in degree and not in kind. Both sorts of entities enter our conception only as cultural posits. The myth of physical objects is epistemologically superior to most in that it has proved more efficacious than other myths as a device for working a manageable structure into the flux of experience.”

“The real protagonist of the story, however, is the magic ring, because it is the movements of the ring that determine those of the characters and because it is the ring that establishes the relationships between them. Around the magic object there forms a kind of force field that is in fact the territory of the story itself. We might say that the magic object is an outward and visible sign that reveals the connection between people or between events. . . We might even say that in a narrative any object is always magic.”

“Because this painting has never been restored there is a heightened poignance to it somehow; it doesn’t have the feeling of unassailable permanence that paintings in museums do.There is a small crack in the lower left, and a little of the priming between the wooden panel and the oil emulsions of paint has been bared. A bit of abrasion shows, at the rim of a bowl of berries, evidence of time’s power even over this—which, paradoxically, only seems to increase its poetry, its deep resonance. If you could see the notes of a cello, when the bow draws slowly and deeply across its strings, and those resonant reverberations which of all instruments’ are nearest to the sound of the human voice emerge—no, the wrong verb, they seem to come into being all at once, to surround us, suddenly, with presence—if that were made visible, that would be the poetry of Osias Beert.But the still life resides in absolute silence.Portraits often seem pregnant with speech, or as if their subjects have just finished saying something, or will soon speak the thoughts that inform their faces, the thoughts we’re invited to read. Landscapes are full of presences, visible or unseen; soon nymphs or a stag or a band of hikers will make themselves heard.But no word will ever be spoken here, among the flowers and snails, the solid and dependable apples, this heap of rumpled books, this pewter plate on which a few opened oysters lie, giving up their silver.These are resolutely still, immutable, poised for a forward movement that will never occur. The brink upon which still life rests is the brink of time, the edge of something about to happen. Everything that we know crosses this lip, over and over, like water over the edge of a fall, as what might happen does, as any of the endless variations of what might come true does so, and things fall into being, tumble through the progression of existing in time.Painting creates silence. You could examine the objects themselves, the actors in a Dutch still life—this knobbed beaker, this pewter salver, this knife—and, lovely as all antique utilitarian objects are, they are not, would not be, poised on the edge these same things inhabit when they are represented.These things exist—if indeed they are still around at all—in time. It is the act of painting them that makes them perennially poised, an emergent truth about to be articulated, a word waiting to be spoken. Single word that has been forming all these years in the light on the knife’s pearl handle, in the drops of moisture on nearly translucent grapes: At the end of time, will that word be said?”

“Astronomy is not the science of all objects with mass and weight and velocity. The objects it describes do not include '56 Chevies. Biology is not the science of all objects that consume and excrete and have inherited characteristics. The objects it describes do not include '56 Chevies. Linguistics is not the study of all possible symbols or symbol systems. The objects it describes do not include '56 Chevies.”

“The main objects of all science, the freedom and happiness of man. . . . [are] the sole objects of all legitimate government.(A plaque with this quotation, with the first phrase omitted, is in the stairwell of the pedestal of the Statue of Liberty.)”

“Another great contribution to science of Imam Jafar al-Sadiq (A) was his Theory of Light. He said that light reflected by different objects comes to us, but only a part of the rays enter our eyes. That is the reason why we do not see distant objects clearly.”

“A similar experiment may be tried in metaphysics as regards the *intuition* of objects. If the intuition had to conform to the constitution of objects, I would not understand how we could know anything of them *a priori*; but if the object (as object of the senses) conformed to the constitution of our faculty of intuition, I could very well conceive such a possibility. As, however, I cannot rest in these intuitions if they are to become knowledge, but have to refer them as representations, to something as their object, and must determine this object through them, I can assume either that the *concepts* through which I arrive at this determination also conform to the object, and I would again be as perplexed about how I can know anything about it *a priori*; or else that the objects, or what is the same thing, the *experience* in which alone they are known (as objects that are given to us), conform to those concepts. In the latter case, I recognize an easier solution because experience itself is a kind of knowledge that requires understanding; and this understanding has its rules which I must presuppose as existing within me even before objects are given to me, and hence *a priori*. These rules are expressed in *a priori* concepts to which all objects of experience must necessarily conform, and with which they must agree. With regard to objects, insofar as they are thought merely through reason and thought indeed as necessary, and which can never, at least not in the way in which reason thinks them, be given in experience, the attempts at thinking them (for they must admit of being thought) will subsequently furnish an excellent touchstone of what we are adopting as our new method of thought, namely, that we know of things *a priori* only that which we ourselves put into them."―from_Critique of Pure Reason_. Preface to the Second Edition. Translated, edited, and with an Introduction by Marcus Weigelt, based on the translation by Max Müller, pp. 18-19”

“And of course the World needs more love, but we need to be clear on what form that love will take. Sometimes love requires killing its object, to put it out of its misery or protect others. Sometimes love requires incarcerating its object to protect it or others. Sometimes love requires taxing and regulating its objects to protect and serve them. Sometimes love requires helping its object to help itself. Sometimes love requires giving its object a gift. But all of these are aspects of love, not merely the last, most popular example. I send love too, and my love takes many forms. My love varies with its objects. Yes, the World needs much more love.”