Opus Quotes

“I am your opus.”

“I am your opus.”

“Remember that writing is translation, and the opus to be translated is yourself.”

“In search of Magnum opus - perhaps you were divined to be mine.”

“If god is dead, who's going to fix this mess?”

“For us the question is, has the marriage to do with well-being or with salvation? Is it a soteriological institution or a welfare institution?Is marriage, this opus contra natura a path to individuation or a way to well-being?”

“Huius (sapientis) opus unum est de divinis humanisque verum invenire; ab hac numquam recedit religio, pietas, iustitia ...”

“There is another apt Latin expression: Materiam superabat opus. (The workmanship is better than the material.) The material we've been given genetically, emotionally, financially, that's where we begin. We don't control that. We do control what we make of that material, and whether we squander it.”

“Facilis descensus Averno:Noctes atque dies patet atri ianua Ditis;Sed revocare gradium superasque evadere ad auras,Hoc opus, hic labor est.(The gates of Hell are open night and day;Smooth the descent, and easy is the way:But to return, and view the cheerful skies,In this task and mighty labor lies.)”

“Upon the publication of Goethe’s epic drama, the Faustian legend had reached an almost unapproachable zenith. Although many failed to appreciate, or indeed, to understand this magnum opus in its entirety, from this point onward his drama was the rule by which all other Faust adaptations were measured. Goethe had eclipsed the earlier legends and became the undisputed authority on the subject of Faust in the eyes of the new Romantic generation. To deviate from his path would be nothing short of blasphemy.”

“Country music was the most segregated kind of music in America, where even whites played jazz and even blacks sang in the opera. Something like country music was what lynch mobs must have enjoyed while stringing up their black victims. Country music was not necessarily lynching music, but no other music could be imagined as lynching’s accompaniment. Beethoven’s Ninth was the opus for Nazis, concentration camp commanders, and possibly President Truman as he contemplated atomizing Hiroshima, classical music the refined score for the high-minded extermination of brutish hordes. Country music was set to the more humble beat of the red-blooded, bloodthirsty American heartland.”