Ostracized Quotes

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Popularity gives you power only over people who care about being popular. Ostracism gives you power only over those who fear being ostracized.

Robin Wasserman
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Popularity gives you power only over people who care about being popular. Ostracism gives you power only over those who fear being ostracized.

Robin Wasserman, Shadowhunters and Downworlders: A Mortal Instruments Reader
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Jesus says we are blessed when we are hated, ostracized, insulted, and ridiculed on earth, because of Him.

brother Billy
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If a novelist were so uncouth and possessed of so little moral sense that he should write of illicit love, his book would be barred from the public libraries and he woukd be ostracized by society.

Clyde Brion Davis, The Great American Novel
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Playing roles and acting are forms of lying. If a person acts like they really feel and it rocks the boat, they are ostracized. We promote pretense and lying as a cultural way of life. Living this way causes an inner split. It teaches us to hide and cover up our toxic shame. This sends us deeper into isolation and loneliness.

John Bradshaw, Healing the Shame that Binds You
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Anxiety has a purpose. Originally the purpose was to protect the existence of the caveman from wild beasts and savage neighbors. Nowadays the ocassions for anxiety are very different - we are afraid of losing out in the competition, feeling unwanted, isolated, and ostracized. But the purpose of anxiety is still to protect us from dangers that threaten the same things: our existence or values that we identify with our existence. This normal anxiety of life cannot be avoided except at the price of apathy or the numbing of one's sensibilities and imagination.

Rollo May, The Meaning of Anxiety
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The tragedy of art is the misalignment of merit and the perception thereof. A hype is a classic example of positive (from the creator’s perspective) misalignment. Van Gogh is a classic example of negative misalignment, a poor laggard who may enjoy the fruits of his labour rotting under the ground. Van Gogh went unrecognized, ostracized, and is now celebrated as many who have come before him, and many who will come after him. Therefore, I declare here, the Wisdom of the Crowd does not apply to art.

Kevin Focke, Tales Untold
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At school, the news that Pia Kolvenbach was moving to England and that her parents were divorcing had circulated with lightening speed. Suddenly I was no longer ostracized for being the Potentially Exploding Girl, but the new attention was worse. I could tell that the girls who sidled up to me and asked with faux-sympathetic smiles whether it was true were doing it on the basis of discussions they had heard between their own parents, to who they would report back like scouts. Soon there would be nothing left of me at all, nothing real: I would be a walking piece of gossip, alternatively tragic and appalling and, worse of all, a poor thing.

Helen Grant, The Vanishing of Katharina Linden
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The most important individuals on earth have went underground, either for political, social or personal reasons. Ostracized by a society that ignores their most basic rights, they work alone to save the world. Invisible to the five senses, they work from the most unbelievable places, places where they're hardly found, or when found never recognized. I change country at an average of three to six times a year, and travel to places as unpredictable as Lithuania, Julian Assange is in the Equator's Embassy in England, David Icke lives in a tiny apartment in a Island that few have heard about, and then there are many others that you've never seen or met. Without us, there would be no meaning for hope. We may one day be found and recognized, maybe even get statues and other works of art in our name and that will likely happen after we're gone. So we can't say we're doing it for the money or recognition. We're risking our lives for those that show no appreciation or support, for those that rather spend 10 dollars in a meal than two in a book, for those that to a great extent have ridicule us for a longer time than the one in which they've shown respect.

Robin Sacredfire
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Perhaps our judgement of the purple woman was unfair. No doubt her theories concerning the "approach of the Teatro" made us all uneasy. But was this reason enough to cast her out from that artistic underworld which was the only society available to her? Like many societies, of course, ours was founded on fearful superstition, and this is always reason enough for any kind of behavior. She had been permanently stigmatized by too closely associating herself with something unclean in its essence.

Thomas Ligotti, Teatro Grottesco
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