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“He singled out aspects of Quality such as unity, vividness, authority, economy, sensitivity, clarity, emphasis, flow, suspense, brilliance, precision, proportion, depth and so on; kept each of these as poorly defined as Quality itself, but demonstrated them by the same class reading techniques. He showed how the aspect of Quality called unity, the hanging-togetherness of a story, could be improved with a technique called an outline. The authority of an argument could be jacked up with a technique called footnotes, which gives authoritative reference. Outlines and footnotes are standard things taught in all freshman composition classes, but now as devices for improving Quality they had a purpose. And if a student turned in a bunch of dumb references or a sloppy outline that showed he was just fulfilling an assignment by rote, he could be told that while his paper may have fulfilled the letter of the assignment it obviously didn’t fulfill the goal of Quality, and was therefore worthless.”
Robert M. Pirsig“For all my longer works (i.e. the novels) I write chapter outlines so I can have the pleasure of departing from them later on.”
Garth Nix“In the world of your story, your outline is like the Ten Commandments. Unfortunately, your characters are all Atheists.”
Jefferson Smith“HOW TO DRIVE A WRITER CRAZY“1. When he starts to outline a story, immediately give him several stories just like it to read and tell him three other plots. This makes his own story and his feeling for it vanish in a cloud of disrelated facts."2. When he outlines a character, read excerpts from stories about such characters, saying that this will clarify the writer's ideas. As this causes him to lose touch with the identity he felt in his character by robbing him of individuality, he is certain to back away from ever touching such a character."3. Whenever the writer proposes a story, always mention that his rate, being higher than other rates of writers in the book, puts up a bar to his stories."4. When a rumor has stated that a writer is a fast producer, invariably confront him with the fact with great disapproval, as it is, of course, unnatural for one human being to think faster than another."5. Always correlate production and rate, saying that it is necessary for the writer to do better stories than the average for him to get any consideration whatever."6. It is a good thing to mention any error in a story bought, especially when that error is to be editorially corrected, as this makes the writer feel that he is being criticized behind his back and he wonders just how many other things are wrong."7. Never fail to warn a writer not to be mechanical, as this automatically suggests to him that his stories are mechanical and, as he considers this a crime, wonders how much of his technique shows through and instantly goes to much trouble to bury mechanics very deep—which will result in laying the mechanics bare to the eye."8. Never fail to mention and then discuss budget problems with a writer, as he is very interested."9. By showing his vast knowledge of a field, an editor can almost always frighten a writer into mental paralysis, especially on subjects where nothing is known anyway."10. Always tell a writer plot tricks, as they are not his business.”
L. Ron Hubbard“Failure is God's own tool for carving some of the finest outlines in the character of his children.”
Thomas Hodgkin“Hope was always out ahead of fact, possibility obscured the outlines of reality.”
Wallace Stegner, Angle of Repose“Color in certain places has the great value of making the outlines and structural planes seem more energetic.”
Antoni Gaudi“Outlines are the last resource of bad fiction writers who wish to God they were writing masters' theses.”
Stephen King“Your mission statement outlines why your company exists. It doesn’t have to be all fancy-pants, just a clear statement of what you do.”
Amber Hurdle, The Bombshell Business Woman: How to Become a Bold, Brave, and Successful Female Entrepreneur“Minimalism is a girl's best asset, blend tones, smudge hard outlines; if all else fails; Photoshop it.”
Judith Chambers