Perfect moments Quotes

“Nothing is permanently perfect. But there are perfect moments and the will to choose what will bring about more perfect moments.”

“After we became a couple, she composed our time together. She planned days as if they were artistic events. One afternoon we went to Tybee Island for a picnic; we ate blueberries and drank champagne tinted with curacao and listened to Miles Davis, and when I asked the name of her perfume, she said it was L'Heure Bleue.She talked about 'perfect moments.' One such moment happened that afternoon; she'd been napping; I lay next to her, reading. She said, 'I'll always remember the sounds of the sea and of pages turning, and the smell of L'Heure Bleue. For me they signify love.”

“We fear our highest possibilities. We are generally afraid to become that which we can glimpse in our most perfect moments, under conditions of great courage. We enjoy and even thrill to godlike possibilities we see in ourselves in such peak moments. And yet we simultaneously shiver with weakness, awe, and fear before these very same possibilities.”

“Perfect Love happens at the most imperfect moments!”

“In life there are perfect moments. You cannot plan them - the very act interferes with the laws of the universe - but you must be ready to recognise them when they come.”

“We fear our highest possibility (as well as our lowest one). We are generally afraid to become that which we can glimpse in our most perfect moments.”

“There are things you do sometimes, actions that you take by obeying sudden impulses, without stopping for even a fraction of a second to think, and then you spend the rest of your life either lamenting it or thanking yourself for it. They are rare, unique, and perfect moments.”

“Those static images have the uncanny ability to jar the memory and bring places and people back to life. They bridge the present with the past and validate as real what the passage of time has turned into hazy recollections. Were it not for them, my experiences would have remained as just imperfect memories of perfect moments.”

“Within sixty-minute limits or one-hundred-yard limits or the limits of a game board, we can look for perfect moments or perfect structures. In my fiction I think this search sometimes turns out to be a cruel delusion.No optimism, no pessimism. No homesickness for lost values or for the way fiction used to be written. Everybody seems to know everything. Subjects surface and are totally exhausted in a matter of days or weeks, totally played out by the publishing industry and the broadcast industry. Nothing is too arcane to escape the treatment, the process. Making things difficult for the reader is less an attack on the reader than it is on the age and its facile knowledge-market. The writer is the person who stands outside society, independent of affiliation and independent of influence. The writer is the man or woman who automatically takes a stance against his or her government. There are so many temptations for American writers to become part of the system and part of the structure that now, more than ever, we have to resist. American writers ought to stand and live in the margins, and be more dangerous. Writers in repressive societies are considered dangerous. That’s why so many of them are in jail.Some people prefer to believe in conspiracy because they are made anxious by random acts. Believing in conspiracy is almost comforting because, in a sense, a conspiracy is a story we tell each other to ward off the dread of chaotic and random acts. Conspiracy offers coherence.I see contemporary violence as a kind of sardonic response to the promise of consumer fulfillment in America... I see this desperation against the backdrop of brightly colored packages and products and consumer happiness and every promise that American life makes day by day and minute by minute everywhere we go. Discarded pages mark the physical dimensions of a writer’s labor. Film allows us to examine ourselves in ways earlier societies could not—examine ourselves, imitate ourselves, extend ourselves, reshape our reality. It permeates our lives, this double vision, and also detaches us, turns some of us into actors doing walk-throughs. Every new novel stretches the term of the contract—let me live long enough to do one more book.You become a serious novelist by living long enough.”