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It might have interested Newt to know that, of the thirty-nine thousand women tested with the pin during the centuries of witch-hunting, twenty-nine thousand said “ouch,” nine thousand, nine hundred and ninety-nine didn’t feel anything because of the use of the aforesaid retractable pins, and one witch declared that it had miraculously cleared up the arthritis in her leg.

Terry Pratchett
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Ye sacred nine

Alexander Pope, Selected Works
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All his life Harry Bosch believed he had a mission. And to carry out that mission he needed to be bulletproof. He needed to build himself and his life so that he was invulnerable, so that nothing and no one could ever get to him. All of that changed on the day he was introduced to the daughter he didn’t know he had. In that moment he knew he was both saved and lost. He would be forever connected to the world in the way only a father knew.- "Nine Dragons" by Michael Connelly

Michael Connelly, Nine Dragons
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Nine tenths of education is encouragement.

Anatole France
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I knew what I wanted to do in sport from the age of nine.

Magdalena Neuner
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A thousand things advance nine hundred and ninety-nine retreat that is progress.

Henri Frederic Amiel
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Once Seung Sahn Soen-sa and a student of his attended a talk at a Zen center in California. The Dharma teacher spoke about Bodhidharma. After the talk, someone asked him "What's the difference between Bodhidharma's sitting in Sorim for nine years and your sitting here now?"The Dharma teacher said, "About five thousand miles."The questioner said, "Is that all?"The Dharma teacher said, "Give or take a few miles."Later on, Soen-sa asked his student, "What do you think of these answers?""Not bad, not good. But the dog runs after the bone.""How would you answer?""I'd say, 'Why do you make a difference?' "Soen-sa said, "Not bad. Now you ask me.""What's the difference between Bodhidharma's sitting in Sorim for nine years and your sitting here now?""Don't you know?""I'm listening.""Bodhidharma sat in Sorim for nine years. I am sitting here now."The student smiled.

Seung Sahn, Dropping Ashes on the Buddha: The Teachings of Zen Master Seung Sahn
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Cascando"why not merely the despaired ofoccasion ofwordshedis it not better abort than be barrenthe hours after you are gone are so leadenthey will always start dragging too soonthe grapples clawing blindly the bed of wantbringing up the bones the old lovessockets filled once with eyes like yoursall always is it better too soon than neverthe black want splashing their facessaying again nine days never floated the lovednor nine monthsnor nine livessaying againif you do not teach me I shall not learnsaying again there is a lasteven of last timeslast times of begginglast times of lovingof knowing not knowing pretendinga last even of last times of sayingif you do not love me I shall not be lovedif I do not love you I shall not lovethe churn of stale words in the heart againlove love love thud of the old plungerpestling the unalterablewhey of wordsterrified againof not lovingof loving and not youof being loved and not by youof knowing not knowing pretendingpretendingI and all the others that will love youif they love youunless they love you

Samuel Beckett
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The researchers looked deeper into these observations, in hopes of gaining insight into the mechanisms underlying the high evolutionary rate and extraordinary immunologic plasticity of influenza HA. They probed in more detail the precise codons that are used by the virus to encode the influenza HA1 protein. The discriminated between codons on the basis of volatility. Each three-nucleotide codon is related by a single nucleotide change to nine 'mutational neighbours.' Of those nine mutations, some proportion change the codon to a synonymous codon and some change it to a nonsynonymous one, which directs the incorporation of a different amino acid into the protein. More volatile codons are those for which a larger proportion of those nine mutational neighbours encode an amino acid change. The use of particular codons in a gene at a frequency that is disproportionate to their random selection for encoding a chosen amino acid is termed codon bias. Such bias is common and is influenced by many factors, but here the collaborators found strong evidence for codon bias that was particular for and restricted to the amino acids making up the HA1 epitopes. Remarkably, they observed that influenza employs a disproportionate number of volatile codons in its epitope-coding sequences. There was a bias for the use of codons that had the fewest synonymous mutational neighbours. In other words, influenza HA1 appears to have optimized the speed with which it can change amino acids in its epitopes. Amino acid changes can arise from fewer mutational events. The antibody combining regions are optimized to use codons that have a greater likelihood to undergo nonsynonymous single nucleotide substitutions : they are optimized for rapid evolution.

Michael G Cordingley, Viruses: Agents of Evolutionary Invention
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He remembered an old tale which his father was fond of telling him—the story of Eos Amherawdur (the Emperor Nightingale). Very long ago, the story began, the greatest and the finest court in all the realms of faery was the court of the Emperor Eos, who was above all the kings of the Tylwydd Têg, as the Emperor of Rome is head over all the kings of the earth. So that even Gwyn ap Nudd, whom they now call lord over all the fair folk of the Isle of Britain, was but the man of Eos, and no splendour such as his was ever seen in all the regions of enchantment and faery. Eos had his court in a vast forest, called Wentwood, in the deepest depths of the green-wood between Caerwent and Caermaen, which is also called the City of the Legions; though some men say that we should rather name it the city of the Waterfloods. Here, then, was the Palace of Eos, built of the finest stones after the Roman manner, and within it were the most glorious chambers that eye has ever seen, and there was no end to the number of them, for they could not be counted. For the stones of the palace being immortal, they were at the pleasure of the Emperor. If he had willed, all the hosts of the world could stand in his greatest hall, and, if he had willed, not so much as an ant could enter into it, since it could not be discerned. But on common days they spread the Emperor's banquet in nine great halls, each nine times larger than any that are in the lands of the men of Normandi. And Sir Caw was the seneschal who marshalled the feast; and if you would count those under his command—go, count the drops of water that are in the Uske River. But if you would learn the splendour of this castle it is an easy matter, for Eos hung the walls of it with Dawn and Sunset. He lit it with the sun and moon. There was a well in it called Ocean. And nine churches of twisted boughs were set apart in which Eos might hear Mass; and when his clerks sang before him all the jewels rose shining out of the earth, and all the stars bent shining down from heaven, so enchanting was the melody. Then was great bliss in all the regions of the fair folk. But Eos was grieved because mortal ears could not hear nor comprehend the enchantment of their song. What, then, did he do? Nothing less than this. He divested himself of all his glories and of his kingdom, and transformed himself into the shape of a little brown bird, and went flying about the woods, desirous of teaching men the sweetness of the faery melody. And all the other birds said: "This is a contemptible stranger." The eagle found him not even worthy to be a prey; the raven and the magpie called him simpleton; the pheasant asked where he had got that ugly livery; the lark wondered why he hid himself in the darkness of the wood; the peacock would not suffer his name to be uttered. In short never was anyone so despised as was Eos by all the chorus of the birds. But wise men heard that song from the faery regions and listened all night beneath the bough, and these were the first who were bards in the Isle of Britain.

Arthur Machen, The Secret Glory
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