Pressed Quotes

“When an animal is looking for something that increases its chances of survival and reproduction (e.g. food, partners or social status), the brain produces sensations of alertness and excitement, which drive the animal to make even greater efforts because they are so very agreeable. In a famous experiment scientists connected electrodes to the brains of several rats, enabling the animals to create sensations of excitement simply by pressing a pedal. When the rats were given a choice between tasty food and pressing the pedal, they preferred the pedal (much like kids preferring to play video games rather than come down to dinner). The rats pressed the pedal again and again, until they collapsed from hunger and exhaustion”

“I pressed and I prayed. It was only right that pressing went with prayer. That and being sorry. Every wrinkle was a patch of sorry to be smoothed and flattened.”

“Because instant and credible information has to be given, it becomes necessary to resort to guesswork, rumors and suppositions to fill in the voids, and none of them will ever be rectified, they will stay on in the readers' memory. How many hasty, immature, superficial and misleading judgments are expressed every day, confusing readers, without any verification. The press can both simulate public opinion and miseducate it. Thus we may see terrorists heroized, or secret matters, pertaining to one's nation's defense, publicly revealed, or we may witness shameless intrusion on the privacy of well-known people under the slogan: "everyone is entitled to know everything." But this is a false slogan, characteristic of a false era: people also have the right not to know, and it is a much more valuable one. The right not to have their divine souls stuffed with gossip, nonsense, vain talk. A person who works and leads a meaningful life does not need this excessive burdening flow of information.”

“Juicero is the first company to make cold-pressed juice something that people can make themselves at home. The challenges to design and engineer a press that can deliver 8,000 pounds of force are tremendous.”

“Thane - She grasped my face in her hands and pulled me to her, pressing soft kisses on my lips. My arm slid around her waist, and my hand pressed against the small of her back until her body melded with mine. My tongue demanded entrance, and she opened to me, allowing me to taste her, tease her, devour her. And in that moment, I claimed her as mine.”

“Elsa's mother no longer spoke to her of men and love, but of duty and fate and accepting one’s burden. As far as Elsa could tell, if love really was the inherited female domain, then women were saddled with the biggest burden of all. It was pressing down upon them, the way the sea pressed down upon the creatures of the deep.”

“Kenji has a hand pressed to his mouth, desperately trying to suppress a smile. He’s shaking his head, holding up a hand in apology. And then he breaks, laughing out loud, snorting as he tries to muffle the sound. “I’m sorry,” he says, pressing his lips together, shaking his head again. “This is not a funny moment. It’s not. I’m not laughing”

“I pressed inside her, inch by inch, gazing into her face. Her beauty. Mesmerizing. I was awed that I was inside her . . . or nearly. When I came to the barrier of her virginity, I met her eyes, full of trust and wonder, and whispered, "I'm sorry, I'm so sorry, sweet Lydia. Mo Chroí." And then I pressed inside, tearing her. She cried out in pain. I wanted to comfort her, but it felt so blessedly good that I could only bring my forehead to hers, holding myself still by sheer force of will, gritting my teeth to stop myself from thrusting, while she became used to my invasion. Why did it have to be that something that felt so wonderful to me hurt her?”

“A recurrent question about photography is how much self expression it allows the photographer. There are two standard positions, each corresponding to a different location oh photographic skill. The opposition is neatly summed up in Bioy Casares’s novel The Adventures of a Photographer in La Plata (1989). The hero Nicolasito Almanza declares: ‘I am convinced that all of photography depends on the moment we press the release […] I believe that you’re a photographer if you know exactly when to press the release.’ In making this declaration he is responding to the opinion expressed by Mr Gruter, owner of a photographic laboratory: ‘[…] sometimes I wonder if the true work of the photographer doesn’t begin in the dark room, amid the trays and the enlarger.”