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“[An example of misattribution:]If you don’t know the source of a quote,you can always make it sound better by attributing it to me.— Mark Twain”
Jakub Marian“Will Smith > Quotes > Quotable Quote“The only thing that I see that is distinctly different about me is I'm not afraid to die on a treadmill. I will not be out-worked, period. You might have more talent than me, you might be smarter than me, you might be sexier than me, you might be all of those things you got it on me in nine categories. But if we get on the treadmill together, there's two things: You're getting off first, or I'm going to die. It's really that simple, right?You're not going to out-work me. It's such a simple, basic concept. The guy who is willing to hustle the most is going to be the guy that just gets that loose ball. The majority of people who aren't getting the places they want or aren't achieving the things that they want in this business is strictly based on hustle. It's strictly based on being out-worked; it's strictly based on missing crucial opportunities. I say all the time if you stay ready, you ain't gotta get ready.”
Will Smith“Eden Ashe > Quotes > Quotable Quote(edit)“She shifted in his pocket, pressing her back against his chest. "It's iron."Instead of walking into the elevator, he glanced down at her. If he kept craning his neck this way, he was going to have a hell of a nasty headache by the time he made it home. Not to mention the looks he was getting from his taff for talking to himself, he was going to end up in a psych hold if this kept up....”"We're on the tenth floor. I'm not taking the damn stairs....""...I'm not talking to myself. I have a fairy in my pocket who's afraid of elevators.”
Eden Ashe“Anonymous > Quotes > Quotable Quote“I see life as a roadside inn where I have to stay until the coach from the abyss pulls up. I don’t know where it will take me, because I don’t know anything. I could see this inn as a prison, for I’m compelled to wait in it; I could see it as a social centre, for it’s here that I meet others. But I’m neither impatient nor common. I leave who will to stay shut up in their rooms, sprawled out on beds where they sleeplessly wait, and I leave who will to chat in the parlours, from where their songs and voices conveniently drift out here to me. I’m sitting at the door, feasting my eyes and ears on the colours and sounds of the landscape, and I softly sing – for myself alone – wispy songs I compose while waiting.”
Fernando Pessoa, The Book of Disquiet