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“Writers perform the so-called counterfactual thinking all the time. All the time. For most people, counterfactual thingking is a habit, but for writers, it is a necessity”
Ika Natassa“It's always been important for writers to be disciplined but now even more so. In addition to the traditional displacement activities like cleaning the fridge or eating cake writers are faced with a plethora of online possibilities (some of which may be professionally worthwhile as well as interesting and fun). As a writer it's important to learn how to focus so you can do both as and when you need to.”
Sara Sheridan“Organizations for writers palliate the writer's loneliness, but I doubt if they improve his writing.... For he does his work alone and if he is a good enough writer he must face eternity, or the lack of it, each day.”
Ernest Hemingway“Attention and focus are essential skills for writers in a noise-filled world.”
Anne H. Janzer, The Writer's Process: Getting Your Brain in Gear“In his book Real Presences, George Steiner asks us to "imagine a society in which all talk about the arts, music and literature is prohibited." In such a society there would be no more essays on whether Hamlet was mad or only pretending to be, no reviews of the latest exhibitions or novels, no profiles of writers or artists. There would be no secondary, or parasitic, discussion - let alone tertiary: commentary on commentary. We would have, instead, a "republic for writers and readers" with no cushion of professional opinion-makers to come between creators and audience. While the Sunday papers presently serve as a substitute for the experiencing of the actual exhibition or book, in Steiner's imagined republic the review pages would be turned into listings:catalogues and guides to what is about to open, be published, or be released. What would this republic be like? Would the arts suffer from the obliteration of this ozone of comment? Certainly not, says Steiner, for each performance of a Mahler symphony is also a critique of that symphony. Unlike the reviewer, however, the performer "invests his own being in the process of interpretation." Such interpretation is automatically responsible because the performer is answerable to the work in a way that even the most scrupulous reviewer is not. Although, most obviously, it is not only the case for drama and music; all art is also criticism. This is most clearly so when a writer or composer quotes or reworks material from another writer or composer. All literature, music, and art "embody an expository reflection which they pertain". In other words it is not only in their letters, essays, or conversation that writers like Henry James reveal themselves also to be the best critics; rather, The Portrait of a Lady is itself, among other things, a commentary on and a critique of Middlemarch. "The best readings of art are art."No sooner has Steiner summoned this imaginary republic into existence than he sighs, "The fantasy I have sketched is only that." Well, it is not. It is a real place and for much of the century it has provided a global home for millions of people. It is a republic with a simple name: jazz.”
Geoff Dyer, But Beautiful: A Book About Jazz“You cannot keep something down that is bound to rise.”
Juliet C. Obodo, Writer's Retreat: New York City Edition: Cafes, Restaurants & Coffee Shops for Writers, Bloggers & Students“Readers don’t work for writers. They work for themselves.”
Mohsin Hamid, How to Get Filthy Rich in Rising Asia“Saturday night is perfect for writers because other people have "plans.”
Mike Birbiglia“I have a huge respect for writers and realise that this is not an area that I find easy. I doubt that I would have the patience in front of a blank sheet of paper to become a writer.”
Jenny Agutter