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“I have been investigating this modern problem of decline in readership and my conclusion is that it has little to do with bad readership and a whole lot with a difference in information speed. Frankly, the modern brain is much faster than the classical brain was in how it absorbs information and novels do not reflect this development. They are simply not dense enough. Too slow, not the right tempo - bores the shit out of a modern brain! There's the real problem: our brains have developed into different speed levels that authors cant adjust to. It has nothing whatsoever to do with quality: it has rather a whole lot to do with people claiming to be authors who are incapable of concentrating their ideas in the right sort of space, and rather smear out a few already halfbaked ideas over 30 plus pages. Hello! Do you think its weird a facebooktrained mind, capable of digesting enormous amounts of information at quick speeds, is bored shitless with that? The problem is not bad readership but rather bad authorship: authors that cannot adjust to the times. And since there are a zillion books published every day of authors that just cant keep up with the speed of the times, and criticism hardly exists anymore in modern society, it becomes simply very unattractive to read books, unless one keeps to the classics, which are books that are much more dense at essence.”
Martijn Benders“When a chap is passionate, the readership can sense it.”
Sara Sheridan, Secret of the Sands“Lending my voice to a dedicated readership is a match made in heaven.”
R. Barri Flowers, Murder Aboard the Titanic“Newspapers abound, and though they have endured decades of decline in readership and influence, they can still form impressive piles if no one takes them out to the trash.”
Jon Stewart, America (The Book): A Citizen's Guide to Democracy Inaction“A ghost who has only a lay knowledge of the subject will be able to keep asking the same questions as the lay reader, and will therefore open up the potential readership of the book to a much wider audience.”
Robert Harris“The idea of harnessing the intelligence of the readership has been lost in the quest for Facebook likes. For many, readers have become synonymous with hateful commenters. It's time for a renewed push to realize some of the original dreams of the web.”
Nick Denton“It's part of a writer's profession, as it's part of a spy's profession, to prey on the community to which he's attached, to take away information - often in secret - and to translate that into intelligence for his masters, whether it's his readership or his spy masters. And I think that both professions are perhaps rather lonely.”
John le Carre“I'd like to emphasize that when a reader finishes a great novel, he will immediately begin looking for another. If someone loves your book, it increases the chance that he or she will look at mine. So there is no competition between writers. Another writer's success helps build a larger readership for all of us.”
David Farland“It needs to be repeated that books are much more than merely vehicles for text. Awareness of the way a book is created, the materials of which it is made, flipping through the volume to see how it is arranged, the intended readership, the clues of the previous ownership and use, and potential problems in its conservation - all these become almost instinctive for experienced readers. (For rare-book custodians, such things as smelling a volume or shaking a leaf to hear the rattle provide further "forensic" information.) This is like an extension to the metadata (such as a book's Dewey class number), which is still largely absent from e-books.”
Roderick Cave & Sara Ayad, The History of the Book in 100 Books: The Complete Story, From Egypt to E-Book“And when you are foolish enough to identify yourself as a poet, your interlocutors will often ask: A PUBLISHED Poet? And when you tell them that you are, indeed, a published poet, they seem at least vaguely impressed. Why is that? Its not like they or anybody they know reads poetry journals. And yet there is something deeply right, I think, about this knee-jerk appeal to publicity. It's as if to say: Everybody can write a poem, but has your poetry, the distillation of your innermost being, been found authentic and intelligible by others? Can it circulate among persons, make of its readership, however small, a People in that sense? This accounts for the otherwise bafflingly persistent association of Poetry and fame - baffling since no poets are famous among the general population. To demand proof of fame is to demand proof that your songs made it back intact from the dream in the stable to the social world of the fire, that your song is at once utterly specific to you and exemplary for others.”
Ben Lerner, The Hatred of Poetry