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Two Songs For The World's End I Bombs ripen on the leafless tree under which the children play. And there my darling all alone dances in the spying day. I gave her nerves to feel her pain, I put her mortal beauty on. I taught her love that hate might find, its black work the easier done. I sent her out alone to play; and I must watch, and I must hear, how underneath the leafless tree, the children dance and sing with Fear. II Lighted by the rage of time where the blind and dying weep, in my shadow take your sleep, though wakeful I. Sleep unhearing while I pray - Should the red tent of the sky fall to fold your time away, wake to weep before you die. Die believing all is true that love your maker said to you Still believe that had you lived you would have found love, world, sight, sound, sorrow, beauty - all true. Grieve for death your moment - grieve. The world, the lover you must take, is the murderer you will meet. But if you die before you wake never think death sweet.

Judith A. Wright
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Two Songs For The World's End I Bombs ripen on the leafless tree under which the children play. And there my darling all alone dances in the spying day. I gave her nerves to feel her pain, I put her mortal beauty on. I taught her love that hate might find, its black work the easier done. I sent her out alone to play; and I must watch, and I must hear, how underneath the leafless tree, the children dance and sing with Fear. II Lighted by the rage of time where the blind and dying weep, in my shadow take your sleep, though wakeful I. Sleep unhearing while I pray - Should the red tent of the sky fall to fold your time away, wake to weep before you die. Die believing all is true that love your maker said to you Still believe that had you lived you would have found love, world, sight, sound, sorrow, beauty - all true. Grieve for death your moment - grieve. The world, the lover you must take, is the murderer you will meet. But if you die before you wake never think death sweet.

Judith A. Wright, Collected Poems, 1942 1970
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The more a daughter knows about the details of her mother's life - without flinching or whining - the stronger the daughter.

Anita Diamant, The Red Tent
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They sang the words in unison, yet somehow created a web of sounds with their voices. It was like hearing a piece of fabric woven with all the colors of a rainbow. I did not know that such beauty could be formed by the human mouth. I had never heard harmony before.

Anita Diamant, The Red Tent
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In the space of his years, my body had taken its full shape and my heart had grown in wisdom, for I understood what it was to be a mother.

Anita Diamant The Red Tent
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Why had no one told me that my body would become a battlefield, a sacrifice, a test? Why did I not know that birth is the pinnacle where women discover the courage to become mothers? But of course there is no way to tell this or to hear it. Until you are the woman on the bricks, you have no idea how death stands in the corner, ready to play his part. Until you are the woman on the bricks, you do not know the power that rises from other women-even strangers speaking an unknown tongue, invoking the names of unfamiliar goddesses.

Anita Diamant, The Red Tent
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I could not get my fill of looking.There should be a song for women to sing at this moment or a prayer to recite. But perhaps there is none because there are no words strong enough to name that moment.

Anita Diamant, The Red Tent
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The story it told was unremarkable: a tale of love found and lost- the oldest story in the world. The only story.

Anita Diamant, The Red Tent
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I would have stayed forever within the garden of Re-mose's childhood, but time is a mother's enemy.

Anita Diamant, The Red Tent
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Death is no enemy, but the foundation of gratitude, sympathy, and art. Of all life's pleasures, only love owes no debt to death.

Anita Diamant, The Red Tent
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