Riley green Quotes

“It's lovely to be going home and know it's home. I love green gables already, and I've never loved any place before. Oh, Marilla, I'm so happy.”

“We'd never seen anything as green as these rice paddies. It was not just the paddies themselves: the surrounding vegetation - foliage so dense the trees lost track of whose leaves were whose - was a rainbow coalition of one colour: green. There was an infinity of greens, rendered all the greener by splashes of red hibiscus and the herons floating past, so white and big it seemed as if sheets hung out to dry had suddenly taken wing. All other colours - even purple and black - were shades of green. Light and shade were degrees of green. Greenness, here, was less a colour than a colonising impulse. Everything was either already green - like a snake, bright as a blade of grass, sidling across the footpath - or in the process of becoming so. Statues of the Buddha were mossy, furred with green.”

“Why do writers use symbolism?” Okay, so let’s say you have a headache and you wanna tell someone about it and you say, “I have a headache!” and other people are like, “Yeah, whatever. Everybody gets headaches.” But your headache is not a regular headache, it’s a serious headache, so you say, “My brain is on fire!” to try to help these people understand that this is a headache that needs attention! That’s a metaphor, right? And you use it so that you can be understood. Now let’s say you want to take those same imagistic principles but apply them to a much more complex idea than having a headache, like, for instance, the yearning that one feels for one’s dreams. And you can see the dream but you can’t cross the bay to get to the green light that embodies your dream. And you want to talk about how socio-economic class in America is a barrier – a bay-like barrier, some would say – that stands between you and the green light and makes that gap unbridgeable. Now, you can just talk about that stuff directly, but when you talk about it symbolically, it becomes more powerful, because instead of being abstract it becomes kind of observable…. So I think that’s why.”

“The wide corridor up the centre of E Block was floored with linoleum the colour of tired old limes, and so what was the Last Mile at other prisons was called the Green Mile at Cold Mountain.”

“When his flock thronged into the midnight service, there was wonder on every face at the newly hung greens and the softly flickering candles on each windowsill. To the simple beauty of the historic church was added fresh, green hope, the lush scent of flowers in winter, and candle flame that cast its flickering shadows over the congregation like a shawl.”

“Keeping her in her roots of greenness.”

“And in the silence what followed, I reckon our eyes had some long conversation our mouths could’ve never talked through. Some long, looking talk about things gone and long since said. About cries out in the night and some long ago tangling of limbs. And about them betrayals done time and time again—by both of us—what led to me pointing the Green Man’s rifle at the man what once loved me under the Green Man’s stars.”

“Browns seek knowledge, Blues meddle in causes, and Whites consider the questions of truth with implacable logic. We all do some of it all, of course. But to be Green means to stand ready. In the Trolloc Wars, we were often called the Battle Ajah. All Aes Sedai helped where and when they could, but the Green Ajah alone was always with the armies, in almost every battle. We were the counter to the dreadlords. The Battle Ajah. And now we stand ready, for the Trollocs to come south again, for Tarmon Gai'don. the Last Battle. We will be there. That is what it means to be Green. -Alanna”

“Dinner that night is a feast of flavor. To celebrate the successful exorcism, Kagura has cooked several more dishes than the shrine's usual, simple fare- fragrant onigiri, balls of rice soaked in green tea, with umeboshi- salty and pickled plums- as filling. There is eggplant simmered in clear soup, green beans in sesame sause, and burdock in sweet-and-sour dressing. The mood is festive.”