Rilke Quotes

“You, God, who live next door--If at times, through the long night, I trouble youwith my urgent knocking--this is why: I hear you breathe so seldom.I know you're all alone in that room. If you should be thirsty, there's no oneto get you a glass of water.I wait listening, always. Just give me a sign!I'm right here...Sen komşu tanrı,Uzun geceler bazen,Kapına vura vura uyandırıyorsam seniSolumanı seyrek duyduğumdandır...Bilirim, yalnızsın odanda.Sana birşey gerekse kimse yok,Bir yudum su versin aradığında.Hep dinlerim, yeter ki bir ses edin,Öyle yakınım sana...”

“You, God, who live next door--If at times, through the long night, I trouble youwith my urgent knocking--this is why: I hear you breathe so seldom.I know you're all alone in that room. If you should be thirsty, there's no oneto get you a glass of water.I wait listening, always. Just give me a sign!I'm right here...Sen komşu tanrı,Uzun geceler bazen,Kapına vura vura uyandırıyorsam seniSolumanı seyrek duyduğumdandır...Bilirim, yalnızsın odanda.Sana birşey gerekse kimse yok,Bir yudum su versin aradığında.Hep dinlerim, yeter ki bir ses edin,Öyle yakınım sana...”

“As we know, Rilke, under the influence of Auguste Rodin, whom he had assisted between 1905 and 1906 in Meudon as a private secretary, turned away from the art nouveau-like, sensitized-atmospheric poetic approach of his early years to pursue a view of art determined more strongly by the priority of the object. The proto-modern pathos of making way for the object without depicting it in a manner 'true to nature', like that of the old masters, led in Rilke's case to the concept of the thing-poem - and thus to a temporarily convincing new answer to the question of the source of aesthetic and ethical authority. From that point, it would be the things themselves from which all authority would come - or rather: from this respectively current singular thing that turns to me by demanding my full gaze. This is only possible because thing-being would now no longer mean anything but this: having something to say.”

“Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answer.”

“If you think your world isn’t poetic enough, or exciting enough to tell a story about, that’s not because it’s a dull world, that’s because you’re not poet enough to wake its soul up.”

“Destiny itself is like a wonderful wide tapestry in which every thread is guided by an unspeakable tender hand, placed beside another thread and held and carried by a hundred others.”

“Whoever you are, go out into the evening,leaving your room, of which you know every bit;your house is the last before the infinite,whoever you are.”

“If your love for […] wants to do something now, then its work and task is this: to catch up with what it has missed. For it has failed to see whither this person has gone, it has failed to accompany her in her broadest development, it has failed to spread itself out over the new distances this person embraces, and it hasn’t ceased looking for her at a certain point in her growth, it wants obstinately to hold fast to a definite beauty beyond which she has passed, instead of persevering, confident of new shared beauties to come.”—from letter to Paula Modersohn-Becker Bremen (February 12, 1902)”

“I live my life in growing orbits which move out over the things of the world.”

“Once the realization is accepted that even between the closest human beings infinite distances continue, a wonderful living side by side can grow, if they succeed in loving the distance between them which makes it possible for each to see the other whole against the sky.”

“Rilke wrote: 'These trees are magnificent, but even more magnificent is the sublime and moving space between them, as though with their growth it too increased.”