Romantic notions Quotes

“And why is it all men thinkeverything a woman writes is trivial or trashy-or just plain sillydrivel? Don't men have romantic notions? Don't men dream of findingthe perfect love?”

“You were right the first time, Cathy. It was a stupid, silly story.Ridiculous! Only insane people would die for the sake of love. I'llbet you a hundred to one a woman wrote that junky romantic trash!"Just a minute ago I'd despised that author for bringing about such amiserable ending, then there I went, rushing to the defense. "T. M.Ellis could very well have been a man! Though I doubt any woman writerin the nineteenth century had much chance of being published, unlessshe used her initials, or a man's name. And why is it all men thinkeverything a woman writes is trivial or trashy-or just plain sillydrivel? Don't men have romantic notions? Don't men dream of findingthe perfect love? And it seems to me, that Raymond was far moremushy-minded than Lily!”

“Moving to the country is a very bold thing to do. You can have vague romantic notions about doing that, but in actuality, it can be a terrifying thing.”

“Living is a constant process of debunking our romantic notions of how our personal life will unfold. Reality oftentimes fails to meet a person’s glamorous expectations.”

“I joined the air force. I took to it immediately when I arrived there. I did three years, eight months, and ten days in all, but it took me a year and a half to get disabused of my romantic notions about it.”

“It wasn't as if they had a choice. They were soldiers whose choices had ended when they had signed contracts and taken their oaths. Whether they had joined for reasons of patriotism, of romantic notions, to escape a broken home of some sort, or out of economic need, their job now was to follow the orders of other soldiers who were following orders, too. Somewhere, far from Iraq, was where the orders began, but by the time they reached Rustamiyah, the only choice left for a solider was to choose which lucky charm to tuck behind his body armor, or which foot to line up in front of the other, as he went out to follow the order of the day.”

“They sat on the outcropping of stone and at bread and fruit. Kasta watched the long grass moving around them. The wind pushed it, attacked it, struck it in one place than another. It rose and fell again. It flowed, like water."Is this what the sea is like?" Kasta asked, and they both turned to her, surprised. "Does the sea move the way this grass moves?"“It's like the sea,” she said.Giddon’s eyes on her were incredulous.“What? Is it such a strange thing to say?”“It’s a strange thing for you to say.” He shook his head. He gathered their bread and fruit, then rose. “The Lienid fighter is filling your mind with romantic notions.”

“Up until relatively recently, creating original characters from scratch wasn't a major part of an author's job description. When Virgil wrote The Aeneid, he didn't invent Aeneas; Aeneas was a minor character in Homer's Odyssey whose unauthorized further adventures Virgil decided to chronicle. Shakespeare didn't invent Hamlet and King Lear; he plucked them from historical and literary sources. Writers weren't the originators of the stories they told; they were just the temporary curators of them. Real creation was something the gods did.All that has changed. Today the way we think of creativity is dominated by Romantic notions of individual genius and originality, and late-capitalist concepts of intellectual property, under which artists are businesspeople whose creations are the commodities they have for sale.”