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“Because I always feel like runningNot away, because there is no such placeBecause if there was, I would have found it by nowBecause it's easier to run,Easier than staying and finding out you're the only one who didn't runBecause running will be the way your life and mine will be described,As in "the long run"Or as in having "given someone a run for his money"Or as in "running out of time"Because running makes me look like everyone else, though I hope there will never be cause for thatBecause I will be running in the other direction, not running for coverBecause if I knew where cover was, I would stay there and never have to run for itNot running for my life, because I have to be running for something of more value to be running and not in fearBecause the thing I fear cannot be escaped, eluded, avoided, hidden from, protected from, gotten away from,Not without showing the fear as I see it nowBecause closer, clearer, no sir, nearerBecause of you and because of that niceThat you quietly, quickly be causingAnd because you're going to see me run soon and because you're going to know why I'm running thenYou'll know thenBecause I'm not going to tell you now”
Gil Scott-Heron“What bothered me the most was the hesitation in his voice when he said that— like he was running out of time.”
Katherine McIntyre, By the Sea“people who says they are running out of time, I think they don't know how to manage tasks/work and to prioritize it.”
kurbhatt“It’s like saying you’re fixed in the past, and you’re running out of time. Every moment is only the beginning of something new”
Priscille Sibley, The Promise of Stardust“Squandering time is a luxury of profligate youth, when the years are to us as dollars are to billionaires. Doing the same thing in middle age just makes you nervous, not with vague puritan guilt but the more urgent worry that you're running out of time, a deadline you can feel in your cells.”
Tim Kreider, We Learn Nothing“Just wish it. But remember, it will only work if it's what you most desire. Do it now. We're running out of time." WHAT I MOST DESIRE. WHAT I MOST DESIRE. I looked into his electric eyes and made my wish. Then I popped the bean into my mouth and swallowed it whole. For a moment, the world stood still. We sat in a silent bubble, just us two, insulated from the snow and the wind. His eyes widened. "But, Katrina, that wish was supposed to be for you." "It's what I most desire." And it was.”
Suzanne Selfors, Coffeehouse Angel“Hamlet' dwarfs 'Hamilton' - it dwarfs pretty much everything - but there's a revealing similarity between them. Shakespeare's longest play leaves its audience in the dark about some basic and seemingly crucial facts. It's not as if the Bard forgot, in the course of all those words, to tell us whether Hamlet was crazy or only pretending: He wanted us to wonder. He forces us to work on a puzzle that has no definite answer. And this mysteriousness is one reason why we find the play irresistible. 'Hamilton' is riddled with question marks. The first act begins with a question, and so does the second. The entire relationship between Hamilton and Burr is based on a mutual and explicit lack of comprehension: 'I will never understand you,' says Hamilton, and Burr wonders, 'What it is like in his shoes?' Again and again, Lin distinguishes characters by what they wish they knew. 'What'd I miss?' asks Jefferson in the song that introduces him. 'Would that be enough?' asks Eliza in the song that defines her. 'Why do you write like you're running out of time?' asks everybody in a song that marvels at Hamilton's drive, and all but declares that there's no way to explain it. 'Hamilton', like 'Hamlet', gives an audience the chance to watch a bunch of conspicuously intelligent and well-spoken characters fill the stage with 'words, words, words,' only to discover, again and again, the limits to what they can comprehend.”
Lin-Manuel Miranda and Jeremy McCarter