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“Considering the fact that the Harappan script may have been proto-Brahmi, the underlying language to be expected should be Sanskrit, or proto-Sanskrit, or derivatives of Sanskrit. Many of the rules of evolution that apply to scripts are equivalently true for languages too. Like scripts, languages too render themselves to similar evolutionary inspections, as they too carry imprints of their journey down the ages.”
Subhajit Ganguly“Sometimes, in the ancient writing samples found in the Indian subcontinent, we find that a mixture of Harappan and Brahmi features has been used. This definitely points towards a continuous evolutionary process that transformed the Harappan script into the later day Brahmi. This also explains why many of the Harappan signs seem to have been simply carried forward (even in actual form) in the Brahmi script.”
Subhajit Ganguly, Call Of The Lost Ages - A Study Of The Indus Valley Script“Suffering is inevitable. It is part of the human condition. It is written in the human script.”
Johnny Rich, The Human Script“Inhumanity is part of humanity as much as suffering is a part of stories. Cruelty is written in the human script.”
Johnny Rich, The Human Script“Take that rage, put it on a page, take the page to the stage, blow the roof off the place.”
The Script“What would behoove me to instantly declare God not to be God unless He followed my script in some tediously exacting manner? I must confess that I am less likely to believe that it’s a matter of some narcissistic demand that I freely pen my own script. Rather, I think it’s fear that I’m too inadequate to follow God’s.”
Craig D. Lounsbrough“Night had fallen, and Diane admired the deep sky behind Steve's calm countenance. They looked into each other's eyes again and felt the spark and excitement of discovery. As if to celebrate the perfect, life-enabling distance of the earth from the sun, Diane and Steve kissed again.""-The Grand Unified Story (a Short Story) from Stories and Scripts: an Anthology”
Zack Love, Stories and Scripts: an Anthology“Now many crises in people’s lives occur because the hero role that they’ve assumed for one situation or set of situations no longer applies to some new situation that comes up, or–the same thing in effect–because they haven’t the imagination to distort the new situation to fit their old role. This happens to parents, for instance, when their children grow older, and to lovers when one of them begins to dislike the other. If the new situation is too overpowering to ignore, and they can’t find a mask to meet it with, they may become schizophrenic–a last-resort mask–or simply shattered. All questions of integrity involve this consideration, because a man’s integrity consists in being faithful to the script he’s written for himself. “I’ve said you’re too unstable to play any one part all the time–you’re also too unimaginative–so for you these crises had better be met by changing scripts as often as necessary. This should come naturally to you; the important thing for you is to realize what you’re doing so you won’t get caught without a script, or with the wrong script in a given situation. You did quite well, for example, for a beginner, to walk in here so confidently and almost arrogantly a while ago, and assign me the role of a quack. But you must be able to change masks at once if by some means or other I’m able to make the one”
John Barth, The End of the Road“Movies are not scripts - movies are films; they're not books, they're not the theatre.”
Nicolas Roeg