Seashells Quotes

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It is the simple things that are in the ocean. People think that simple things are on the seashore, like seashells. But seashells are just illusions of the things that once used to live inside of them, that are back in the sea! They are dead things, and dead things are not simple things. Living things are simple things, things like love. People think that love isn't simple, but that's because they are on the seashore; but when you are a mermaid, when you have gills, when you need to be in the ocean; love is simple. It's about being beside someone and staying there. And then sharing your souls. What's natural to a mermaid, isn't natural to a person. But I want everyone to be a mermaid. And if they can't, at least they can know what a mermaid is like. We live with the things that are alive.

C. JoyBell C.
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It is the simple things that are in the ocean. People think that simple things are on the seashore, like seashells. But seashells are just illusions of the things that once used to live inside of them, that are back in the sea! They are dead things, and dead things are not simple things. Living things are simple things, things like love. People think that love isn't simple, but that's because they are on the seashore; but when you are a mermaid, when you have gills, when you need to be in the ocean; love is simple. It's about being beside someone and staying there. And then sharing your souls. What's natural to a mermaid, isn't natural to a person. But I want everyone to be a mermaid. And if they can't, at least they can know what a mermaid is like. We live with the things that are alive.

C. JoyBell C.
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George Malcolm: half white, half black, with messy tousled hair, rumpled and tugged between kind of curly and extremely curly. Once, a year or so before, he'd been at our house and he'd pulled out a lock of his hair and used it to teach me about eddies and helixes. It's a circular current into a central station, he'd explained, giving me one to hold. I pulled on the spring. Nature is full of the same shapes, he said, taking me to the bathroom sink and spinning on the top and pointing out the way the water swirled down the drain. Taking me to the bookshelf and flipping open a book on weather and showing me a cyclone. Then a spiral galaxy. Pulling me back to the bathroom sink, to my glass jar of collected seashells, and pointing out the same curl in a miniature conch. See? he said, holding the seashell up to his hair. Yes! I clapped. His eyes were warm with teaching pleasure. It's galactic hair, he said, smiling.At school, George was legendary already. He was so natural at physics that one afternoon the eighth-grade science teacher had asked him to do a preview of the basics of relativity, really fast, for the class. George had stood up and done such a fine job, using a paperweight and a yardstick and the standard-issue school clock, that the teacher had pulled a twenty-dollar bill from his wallet. I'd like to be the first person to pay you for your clarity of mind, the teacher had said. George used the cash to order pizza for the class. Double pepperoni, he told me later, when I'd asked.

Aimee Bender, The Particular Sadness of Lemon Cake
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And in her ears the little Seashells, the thimble radios tamped tight, and an electronic ocean of sound, of music and talk and music and talk coming in, coming in on the shore of her unsleeping mind. The room was indeed empty. Every night the waves came in and bore her off on their great tides of sound, floating her, wide-eyed, toward morning. There had been no night in the last two years that Mildred had not swum that sea, had not gladly gone down in it for the third time.

Ray Bradbury, Fahrenheit 451
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Hanging from every corner, above every window, standing on every shelf and tabletop, were dozens of handmade birdcages. Nomi had crafted them all, mostly out of old fishing twine, scraps of nets, and chicken wire. Woven in between the bars of the cages were bits of seashells, crab shells, pebbles, and driftwood she had scavenged along the beach. In a pinch she had made a few out of old clothes hangers she had scissored apart and woven together with strips of a negligee or shirt. Each one was personal, each one was unique, each one was a story

Brooke Warra, Sanitarium Magazine Issue #42: Bringing you the Best Short Horror Fiction, Dark Verse and Macabre Entertainment
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In June we picked the clover,And sea-shells in July:There was no silence at the door,No word from the sky.A hand came out of AugustAnd flicked his life away:We had not time to bargain, mope,Moralize, or pray.

Cecil Day-Lewis, Overtures to Death and Other Poems
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This [sand-dollar hunting] had become one of our rituals together, and though she would search for other varieties of shells when I was out of town or unable to see her, she would wait until I appeared on her front porch before setting off to extract these mute delicate coins from their settings in the sand. At first, we had collected only the larger specimens, but gradually as we learned what was rare and to be truly prized, we began to gather only the smallest sand dollars for our collection. Our trophies were sometimes as small as thumbnails and as fragile as contact lenses. Annie Kate collected the tiniest relics, round and cruciform and white as bone china when dried of sea water, and placed them in a glass-and-copper cricket box in her bedroom. Often we would sit together and admire the modest splendor of our accumulation. At times it looked like the coinage of a shy, diminutive species of angel. Our quest to find the smallest sand dollar became a competition between us, and as the months passed and Annie Kate grew larger with the child, the brittle, desiccated animals we unearthed from the sand became smaller and smaller. It was all a matter of training the eye to expect less.

Pat Conroy, The Lords of Discipline
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