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The very word 'secrecy' is repugnant in a free and open society; and we are as a people inherently and historically opposed to secret societies, to secret oaths, and to secret proceedings.

John F. Kennedy
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The very word "secrecy" is repugnant in a free and open society; and we are as a people inherently and historically opposed to secret societies, to secret oaths and to secret proceedings...Our way of life is under attack. Those who make themselves our enemy are advancing around the globe...no war ever posed a greater threat to our security. If you are awaiting a finding of "clear and present danger," then I can only say that the danger has never been more clear and its presence has never been more imminent...For we are opposed around the world by a monolithic and ruthless conspiracy that relies primarily on covert means for expanding its sphere of influence–on infiltration instead of invasion, on subversion instead of elections, on intimidation instead of free choice, on guerrillas by night instead of armies by day. It is a system which has conscripted vast human and material resources into the building of a tightly knit, highly efficient machine that combines military, diplomatic, intelligence, economic, scientific and political operations. Its preparations are concealed, not published. Its mistakes are buried, not headlined. Its dissenters are silenced, not praised. No expenditure is questioned, no rumor is printed, no secret is revealed.

President John F. Kennedy
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From personal experience, I know for sure that the number one thing that saddens the dead more than our grief — is not being conscious of their existence around us. They do want you to talk to them as if they were still in a physical body. They do want you to play their favorite music, keep their pictures out, and continue living as if they never went away. However, time and "corruption" have blurred the lines between the living and the dead, between man and Nature, and between the physical and the etheric. There was a time when man could communicate with animals, plants, the ether, and the dead. To do so requires one to access higher levels of consciousness, and this knowledge has been hidden from us. Why? Because then the plants would tell us how to cure ourselves. The animals would show us their feelings, and the dead would tell us that good acts do matter. In all, we would come to know that we are all one. And most importantly, we would be alerted of threats and opportunities, good and evil, truth vs. fiction. We would have eyes working for humanity from every angle, and this threatens "the corrupt". Secret societies exist to hide these truths, and to make sure lies are preserved from generation to generation.

Suzy Kassem, Rise Up and Salute the Sun: The Writings of Suzy Kassem
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For all the secret societies lunatics out there who think they know anything, why don't you chill..We’re ALL guests on Earth, not Management.

Ziad K. Abdelnour
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MacMillian pinched the bridge of his nose. Conspiracy theories, secret societies... what the hell had he gotten himself into? What was next? Vampires? Werewolves?

Laura Oliva, A World Apart
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Some people complain there are too many people on earth, Some people complain about secret societies, Some people accuse others of not being able to wake up early. Almost all people complain about something.

Dejan Stojanovic
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We all look for meaning behind the tragedies that befall us. And sometimes the meaning is there. But sometimes, Master Bruce, terrible things just happen. No sinister plots. No secret societies. They just happen.

Batman vs. Robin, Alfred
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Indeed, to this day, I think if you blame everything on the government, you're not just wrong, you're being reckless. It's as silly as blaming everything on the Freemasons, or the Illuminati, or insert-bad-guy-here. But I do believe that someone must ask the hard questions, especially of our elected officials as well as powerful men who become members of so-called secret societies. Remember: Governments don't lie. People lie. And if you want the real story, you need to find out more about those people.

Brad Meltzer, History Decoded: The 10 Greatest Conspiracies of All Time
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I've never understood one thing: Why do all these megalomaniac dictators, secret societies, mad scientists, and totalitarian aliens want to rule the world? I mean really? Don't they know what a pain in the neck it is to be in charge? People are always making unreasonable demands of kings. "Please save us from the invading Vandal hoards! Please make sure we have proper sanitation to prevent the spread of disease! Please stop beheading your wives so often; it's ruining the rugs!

Brandon Sanderson, Alcatraz Versus the Shattered Lens
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Apart from such chaotic classics as these, my own taste in novel reading is one which I am prepared in a rather especial manner, not only to declare, but to defend. My taste is for the sensational novel, the detective story, the story about death, robbery and secret societies; a taste which I share in common with the bulk at least of the male population of this world. There was a time in my own melodramatic boyhood when I became quite fastidious in this respect. I would look at the first chapter of any new novel as a final test of its merits. If there was a murdered man under the sofa in the first chapter, I read the story. If there was no murdered man under the sofa in the first chapter, I dismissed the story as tea-table twaddle, which it often really was. But we all lose a little of that fine edge of austerity and idealism which sharpened our spiritual standard in our youth. I have come to compromise with the tea-table and to be less insistent about the sofa. As long as a corpse or two turns up in the second, the third, nay even the fourth or fifth chapter, I make allowance for human weakness, and I ask no more. But a novel without any death in it is still to me a novel without any life in it. I admit that the very best of the tea-table novels are great art - for instance, Emma or Northanger Abbey. Sheer elemental genius can make a work of art out of anything. Michelangelo might make a statue out of mud, and Jane Austen could make a novel out of tea - that much more contemptible substance. But on the whole I think that a tale about one man killing another man is more likely to have something in it than a tale in which, all the characters are talking trivialities without any of that instant and silent presence of death which is one of the strong spiritual bonds of all mankind. I still prefer the novel in which one person does another person to death to the novel in which all the persons are feebly (and vainly) trying to get the others to come to life.

G.K. Chesterton, The Spice of Life
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