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“The second hugely seductive move is to signal that we view the other person with a mixture of tenderness and realism. It’s often imagined that it’ll be seductive to convey an air of adoration, to hint that the other strikes us as exceptionally attractive or accomplished. But surprisingly, it is deeply worrying to be obviously adored, because everyone, from the inside, knows very well that they don’t deserve intense acclaim, are often disappointing and sometimes quite simply pitiful.So seduction involves suggesting both that one likes the other person a lot – and yet can see their frailty quite clearly, that one cope with it and forgive it with gentle indulgence. One might, towards the end of the evening drop in a small warm tease that alludes to our understanding of some less than perfect side of them: ‘I suppose you stayed under the duvet feeling a bit sorry for yourself after that?’ we might ask, with a benign smile.Such a gesture implies that we like another person not under a mistaken notion that they are flawless but with a full and unfrightened appreciation of their frailties. That ends up being powerfully seductive because it is, first and foremost, reassuring. It suggests the ideal way that we would like someone to view us within the testing conditions of a real relationship. We crave not admiration, but to be properly known and yet still liked and forgiven.”
Alain de Botton“The second hugely seductive move is to signal that we view the other person with a mixture of tenderness and realism. It’s often imagined that it’ll be seductive to convey an air of adoration, to hint that the other strikes us as exceptionally attractive or accomplished. But surprisingly, it is deeply worrying to be obviously adored, because everyone, from the inside, knows very well that they don’t deserve intense acclaim, are often disappointing and sometimes quite simply pitiful.So seduction involves suggesting both that one likes the other person a lot – and yet can see their frailty quite clearly, that one cope with it and forgive it with gentle indulgence. One might, towards the end of the evening drop in a small warm tease that alludes to our understanding of some less than perfect side of them: ‘I suppose you stayed under the duvet feeling a bit sorry for yourself after that?’ we might ask, with a benign smile.Such a gesture implies that we like another person not under a mistaken notion that they are flawless but with a full and unfrightened appreciation of their frailties. That ends up being powerfully seductive because it is, first and foremost, reassuring. It suggests the ideal way that we would like someone to view us within the testing conditions of a real relationship. We crave not admiration, but to be properly known and yet still liked and forgiven.”
Alain de Botton“All war is based in deception (cfr. Sun Tzu, “The Art of War”).Definition of deception: “The practice of deliberately making somebody believe things that are not true. An act, a trick or device entended to deceive somebody”.Thus, all war is based in metaphor.All war necessarily perfects itself in poetry.Poetry (since indefinable) is the sense of seduction.Therefore, all war is the storytelling of seduction, and seduction is the nature of war.”
Pola Oloixarac, Las teorías salvajes“There are different forms of seduction, and the kind I have witnessed in Persian dancers is so unique, such a mixture of subtlety and brazenness, I cannot find a Western equivalent to compare it to. I have seen women of vastly different backgrounds take on that same expression: a hazy, lazy, flirtatious look in their eyes. . . . This sort of seduction is elusive; it is sinewy and tactile. It twists, twirls, winds and unwinds. Hands curl and uncurl while the waist seems to coil and recoil. . . . It is openly seductive but not surrendering.”
Azar Nafisi, Reading Lolita in Tehran“Suffer" he commanded seductively. "With me...or because of me.”
Donna Lynn Hope“In my experience, writers tend to be really good at the inside of their own heads and imaginary people, and a lot less good at the stuff going on outside, which means that quite often if you flirt with us we will completely fail to notice, leaving everybody involved slightly uncomfortable and more than slightly unlaid.So I would suggest that any attempted seduction of a writer would probably go a great deal easier for all parties if you sent them a cheerful note saying "YOU ARE INVITED TO A SEDUCTION: Please come to dinner on Friday Night, Wear the kind of clothes you would like to be seduced in."And alcohol may help, too. Or kissing. Many writers figure out that they're being seduced or flirted with if someone is actually kissing them.”
Neil Gaiman“I've never kissed an art forger before" Lord Huntington to Eliza Somerton in "An Artful Seduction”
Tina Gabrielle, An Artful Seduction“It is your work in life that is the ultimate seduction.”
Pablo Picasso“Seduction is the art of saying what you don't do in order to do what you don't say”
Löis Lancaster“People will let you down in this business every single day. I think you'll be let down and disappointed more than you'll be accepted and excited. But you need to find ways to keep yourself inspired. This is mine. What's yours?”
Jenna Mullins, Rules of Seduction“It's not the lies he tells, it's the seductive way in which he persuades you they are not true.”
Virginia Alison