Settings Quotes

“On the whole I try to keep Modesty and Willie in timeless settings, which is why I avoid all the latest slang and in-words. It won't be long before 'brill' sounds as dated as 'super' does now. [Uncle Happy, 1990]”

“If I can drive down the road in my car and listen to XM satellite, and when a song gets beamed into my car, it can tell me who wrote the song and what the damn lyrics are, why, when you broadcast a digital signal of a film, can't it speak to your television to set up a list of settings to show the film in the way that it was meant to be shown?”

“My association of jail to high school is probably on the basic similarity of a communicable social-setting. These few settings represent a frame of reference: a somewhat fraternal order (though I never belonged to an actual fraternity) where people collect—and may be confined—and somewhat coalesce on a common cause. Jail was a remarkable and unique experience of fellows/fathers and a force of several….”

“I've always been serious that way, trying to evolve to a more conscious state. Funny thing about that,though. You tweak yourself,looking for more love, less lust, more compassion, less jealousy. You keep tweaking, keep adjusting those knobs until you can no longer find the original settings. In some sense,the original settings are exactly what I'm looking for-a return to the easygoing guy i was before my world got complicated, the nice guy who took things as they came and laughed so hard the blues would blow away in the summer wind.”

“It might not seem self-evident that impunity for white violence against blacks would engender black-on-black murder. But when people are stripped of legal protection and placed in desperate straits, they are more, not less, likely to turn on each other. Lawless settings are terrifying; if people can do whatever they want to each other, there are always enough bullies to make it ugly. Americans are nostalgic for the village setting and hold dear the notion of community, so the idea that the oppressed do not band together in solidarity is counter to our myths. But community spawns communal justice; the village gives rise to the feud.”

“Before We BeginIs Your Bug A nice clean original car that looks almost like itleft the showroom yesterday?P.S. All work should be carried out in consultation with a reliable workshop manual with regard to torque settings, gaps, procedures, sequences disassembly, reassembly, where to hide the leftover parts, etc. I will accept no responsibility for anything resulting fromyou or anybody else trying anything as described in this document whatsoever – but if it works or you end up with some amusing stories to tell someone else’s grandchildren, please feel free to drop me a line. (No death threats please.)Sincerely,Christina Engela”

“This [sand-dollar hunting] had become one of our rituals together, and though she would search for other varieties of shells when I was out of town or unable to see her, she would wait until I appeared on her front porch before setting off to extract these mute delicate coins from their settings in the sand. At first, we had collected only the larger specimens, but gradually as we learned what was rare and to be truly prized, we began to gather only the smallest sand dollars for our collection. Our trophies were sometimes as small as thumbnails and as fragile as contact lenses. Annie Kate collected the tiniest relics, round and cruciform and white as bone china when dried of sea water, and placed them in a glass-and-copper cricket box in her bedroom. Often we would sit together and admire the modest splendor of our accumulation. At times it looked like the coinage of a shy, diminutive species of angel. Our quest to find the smallest sand dollar became a competition between us, and as the months passed and Annie Kate grew larger with the child, the brittle, desiccated animals we unearthed from the sand became smaller and smaller. It was all a matter of training the eye to expect less.”

“...Cause the heart has no manual settings.”

“Their courtship unfolded in two settings, a Russian reality overlaid with New York memories”