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“I’ve attempted to bring together as many perspectives as possible, not in order to be exhaustive–but to celebrate the many different approaches to appreciating Shakespeare that there are possible”
Susannah Carson“I’ve attempted to bring together as many perspectives as possible, not in order to be exhaustive–but to celebrate the many different approaches to appreciating Shakespeare that there are possible”
Susannah Carson, Living with Shakespeare: Actors, Directors, and Writers on Shakespeare in Our Time“William Shakespeare: You will never age for me, nor fade, nor die.”
Marc Norman, Shakespeare in Love: A Screenplay“A third...candidate for Shakespearean authorship was Christopher Marlowe. He was the right age (just two months older than Shakespeare), had the requisite talent, and would certainly have had ample leisure after 1593, assuming he wasn't too dead to work.”
Bill Bryson, Shakespeare: The World as Stage“All men who repeat a line from Shakespeare are William Shakespeare”
Jorge Luis Borges, Labyrinths: Selected Stories and Other Writings“Shakespeare opens a mine which contains gold and diamonds in unexhaustible plenty, though clouded by incrustations, debased by impurities, and mingled with a mass of meaner minerales.”
Samuel Johnson, Samuel Johnson on Shakespeare“The composition of Shakespeare is a forest, in which oaks extend in the air, interspersed sometimes with weeds and brambles, and sometimes giving shelting to myrtles and to roses; filling the eye with awful pomp, and gratifying the mind with endless diversity.”
Samuel Johnson, Samuel Johnson on Shakespeare“(...)we all recognize a likeness of Shakespeare the instant we see one, and yet we don’t really know what he looked like. It is like this with nearly every aspect of his life and character: He is at once the best known and least known of figures.”
Bill Bryson, Shakespeare: The World as Stage“Shakespeare's great."Duh. Shakespeare's cool, man.”
Alex Flinn, Beastly“And there was never a better time to delve for pleasure in language than the sixteenth century, when novelty blew through English like a spring breeze. Some twelve thousand words, a phenomenal number, entered the language between 1500 and 1650, about half of them still in use today, and old words were employed in ways not tried before. Nouns became verbs and adverbs; adverbs became adjectives. Expressions that could not have grammatically existed before - such as 'breathing one's last' and 'backing a horse', both coined by Shakespeare - were suddenly popping up everywhere.”
Bill Bryson, Shakespeare: The World as Stage“We will meet; and there we may rehearse mostobscenely and courageously.Shakespeare, Midsummer Night's Dream. Spoken by Bottom, Act I Sc. 2”
William Shakespeare, A Midsummer Night's Dream