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“Meaning is produced not only by the relationship between the signifier and the signified but also, crucially, by the position of the signifiers in relation to other signifiers.”
Jacques Lacan“Lacan, as we have seen in our discussion of Freud, regards the unconscious as structured like a language. This is not only because it works by metaphor and metonymy: it is also because, like language itself for the post-structuralists, it is composed less of signs — stable meanings — than of signifiers. If you dream of a horse, it is not immediately obvious what this signifies: it may have many contradictory meanings, may be just one of a whole chain of signifiers with equally multiple meanings. The image of the horse, that is to say, is not a sign in Saussure’s sense - it does not have one determined signified tied neatly to its tail - but is a signifier which may be attached to many different signifieds, and which may itself bear the traces of the other signifiers which surround it. (I was not aware, when I wrote the above sentence, of the word-play involved in ‘horse’ and ‘tail’: one signifier interacted with another against my conscious intention.) The unconscious is just a continual movement and activity of signifiers, whose signifieds are often inaccessible to us because they are repressed. This is why Lacan speaks of the unconscious as a ‘sliding of the signified beneath the signifier’, as a constant fading and evaporation of meaning, a bizarre ‘modernist’ text which is almost unreadable and which will certainly never yield up its final secrets to interpretation.”
Terry Eagleton, Literary Theory: An Introduction“The number and richness of man’s signifiers always surpasses the set of defined objects that could be termed signifieds. The symbolic function must always precede its object and does not encounter reality except when it precedes it into the imaginary…”
Maurice Merleau-Ponty“Let us being again. To take some examples: why should “literature” still designate that which already breaks away from literature—away from what has always been conceived and signified under that name—or that which, not merely escaping literature, implacably destroys it? (Posed in these terms, the question would already be caught in the assurance of a certain fore-knowledge: can “what has always been conceived and signified under that name” be considered fundamentally homogeneous, univocal, or nonconflictual?) To take other examples: what historical and strategic function should henceforth be assigned to the quotation marks, whether visible or invisible, which transform this into a “book,” or which still make the deconstruction of philosophy into a “philosophical discourse”?”
Jacques Derrida, Dissemination“Literature is that which denounces and slashes apart the repressing machine at the level of the signified.”
Kathy Acker“[T]he present age, which prefers the sign to the thing signified, the copy to the original[.]”
Ludwig Feuerbach, The Essence of Christianity“It was a uniform that signified that one was a kind of downtown aesthete; not necessarily nihilistic, but a monk in the bohemian order.”
David Byrne“The idea that skiing might not be fun, might not be for everyone, had never occurred to me. Where I come from, the sport signified pleasure, nature, family happiness.”
Siri Hustvedt“There are many excuses for the person who made the mistake of confounding money and wealth. Like many others they mistook the sign for the thing signified.”
Millicent Garrett Fawcett“The poet…is the man of metaphor: while the philosopher is interested only in the truth of meaning, beyond even signs and names, and the sophist manipulates empty signs…the poet plays on the multiplicity of signifieds.”
Jacques Derrida