Smiling at the cameras Quotes

“The simple act of having a camera, not a cell phone, but a camera-camera, there’s a kind of a heightened perceptional awareness that occurs. Like, I could walk from here to the highway in two minutes, but if I had a camera, that walk could take me two hours.”

“Aren't you tired from all that smiling that you do at the camera? Relax and come with me to the mountains. There is more to life than the cameras!”

“A camera is a tool for learning how to see without a camera.”

“People, there's no such thing as, THE BEST CAMERA BRAND, but yes there will always be THE BEST CAMERA AT ANY GIVEN TIME. Technology will change, but not art.”

“Ever wondered why front camera of cellphones makes people look better while the rear camera makes them look how they are?Because when you click picture using front camera, you see yourself on screen, and that's how you should look at yourself, a better version of yourself. Whereas, the rear camera shows how other's see you. With your flaws and qualities. No added layer to hide or enhance your ownself. This is how you should learn to overcome your flaws and better your qualities.”

“Back in the day, I actually studied photography in Florence for a few months, and my photography teacher took away my digital camera and said, 'No, use this - it's analog and it's square.' It was a Holga camera, a very cheap $3 or $4 plastic camera. And that's what inspired 'Instagram'.”

“A lot of photographers think that if they buy a better camera they’ll be able to take better photographs. A better camera won’t do a thing for you if you don’t have anything in your head or in your heart.”

“Flying through a hurricane is the most fearsome shaking you will ever get. Everything has to be tied down in the airplane. And the IMAX camera has to be rock-steady through all this. We had to design special mounts on the left and right sides of the cabin and in the cockpit to hold the cameras.”

“The camera has a mind of its own--its own point of view. Then the human bearer of time stumbles into the camera's gaze--the camera's domain of pristine space hitherto untraversed is now contaminated by human temporality. Intrusion occurs, but the camera remains transfixed by its object. It doesn't care. The camera has no human fears.”