Snarl Quotes

“It's funny how different people are. If I'd been this kid and someone was snarling "Ordering a pizza?" at me, without even thinking, I would have snarled back "Yeah. You want pepperoni?"-Maximum Ride”

“A dog reflects the family life. Whoever saw a frisky dog in a gloomy family, or a sad dog in a happy one? Snarling people have snarling dogs, dangerous people have dangerous ones.”

“She doesn’t snarl. She smiles instead, but it is a half smile. She is hiding something, an imperfection. There is something about her teeth, the sides of them that she doesn’t want me to see. I am fascinated by this unseen flaw. I want to know what she is hiding. Perhaps this is what is missing from my life, some mysterious flaw that I won’t want to correct”

“He saw her right after the seventh-period bell rang. She seemed dressed for the sole purpose of blending in with the lockers, but she stood out, anyway. It didn’t matter that her wide blue eyes were narrowed or that her pretty mouth was twisted into a near snarl — she was blatantly beautiful. It was kind of sick the way Ed was preoccupied with beautiful girls these days.He felt a little sorry for her. (He was also preoccupied with finding ways of feeling sorry for people.) She was new and trying hard not to look it. She was confused and trying to look tough. It was endearing is what it was.”

“Sissy Mae Smith...stumbled into the room loaded down with even more bags. "You pack like a woman," she snarled when she finally dropped the luggage to the floor. "How can one man have so much conditioner?"His mouth filled with French toast, Mitch pointed at his hair and snarled, "Tawny mane! Do you think this shit stays this beautiful on its own? It needs care and love! Which is more than I'm getting from you!”

“A demigod!" one snarled."Eat it!" yelled another.But that's as far as they got before I slashed a wide arc with Riptide and vaporized the entire front row of monsters."Back off!" I yelled at the rest, trying to sound fierce. Behind them stood their instructor--a six-foot tall telekhine with Doberman fangs snarling at me. I did my best to stare him down."New lesson, class," I announced. "Most monsters will vaporize when sliced with a celestial bronze sword. This change is completely normal, and will happen to you right now if you don't BACK OFF!"To my surprise, it worked. The monsters backed off, but there was at least twenty of them. My fear factor wasn't going to last that long.I jumped out of the cart, yelled, "CLASS DISMISSED!" and ran for the exit.”

“When a work of painting, music or other form attains two-way communication, it is truly art. One occasionally hears an artist being criticized on the basis that his work is too 'literal' or too 'common.' But one has rarely if ever heard any definition of 'literal' or 'common.' And there are many artists simply hung up on this, protesting it. Also, some avant-garde schools go completely over the cliff in avoiding anything 'literal' or 'common'—and indeed go completely out of communication! The return flow from the person viewing a work would be contribution. True art always elicits a contribution from those who view or hear or experience it. By contribution is meant 'adding to it.’ An illustration is 'literal' in that it tells everything there is to know. Let us say the illustration is a picture of a tiger approaching a chained girl. It does not really matter how well the painting is executed, it remains an illustration and it is literal. But now let us take a small portion out of the scene and enlarge it. Let us take, say, the head of the tiger with its baleful eye and snarl. Suddenly we no longer have an illustration. It is no longer 'literal.' And the reason lies in the fact that the viewer can fit this expression into his own concepts, ideas or experience: he can supply the why of the snarl, he can compare the head to someone he knows. In short, he can CONTRIBUTE to the head. The skill with which the head is executed determines the degree of response. Because the viewer can contribute to the picture, it is art. In music, the hearer can contribute his own emotion or motion. And even if the music is only a single drum, if it elicits a contribution of emotion or motion, it is truly art.”

“Jealousy is love bed of burning snarl.”

“The world would not be in such a snarl, had Marx been Groucho instead of Karl.”