Sociopaths Quotes

“Sociopaths are attracted to politics because the see it as a sphere in which you can be ruthless and step all over people. That fact that some politicians can tell such awful lies is another example of sociopathy. Sociopaths lie—they see nothing wrong with it.”

“Sociopaths are attracted to politics because the see it as a sphere in which you can be ruthless and step all over people. That fact that some politicians can tell such awful lies is another example of sociopathy. Sociopaths lie—they see nothing wrong with it.”

“One nurse thought I was "brave." I think she was talking about my steely-eyed, grin-and-bear-it kind of attitude. There were no tears, no complaints from me - a total lack of affect. In a victim, it is courage and thus admirable; in a predator, it is a lack of humanity and instills fear.”

“I wonder if whoever invented World of Warcraft realizes it’s practice for sociopaths.”

“Donald Trump has been called, by psychologists and clinical psychologists, over and over again, a narcissist with multiple sociopathic and psychopathic tendencies.”

“Cats are the lap-dancers of the animal world. Soon as you stop shelling out, they move on, find another lap. They're furry little sociopaths. Pretty and slick -- in love with themselves. When's the last time you saw a seeing-eye cat?”

“Self-pity, a dominant characteristic of sociopaths, is also the characteristic that differentiates heroic storytelling from psychological rumination. When you talk about your experiences to shed light, you may feel wrenching pain, grief, anger, or shame. Your audience may pity you, but not because you want them to.”

“You probably think the majority of your crabbiness is caused by the idiots and sociopaths in your life plus your inexplicable bad luck on any given day. Based on a lifetime of observation, my best estimate is that 80 percent of your mood is based on how your body feels and only 20 percent is based on your genes and your circumstances, particularly your health.”

“There is only one motive for writing a novel: to be published and read. To me there is no distinction between the mystery novel and the novel, only between good books and bad books. A good book takes the reader into a new world of experience; it is an experiment. A bad book, unless the writing is inept, reinforces the intransigent attitude of the reader not to experiment with a new world. Since there are criminals and psychopaths and sociopaths in all my novels they are in a way psychological thrillers.”

“The power paradox is this: we rise in power and make a difference in the world due to what is best about human nature, but we fall from power due to what is worst. We gain a capacity to make a difference in the world by enhancing the lives of others, but the very experience of having power and privilege leads us to behave, in our worst moments, like impulsive, out-of-control sociopaths. How we handle the power paradox guides our personal and work lives and determines, ultimately, how happy we and the people we care about will be. It determines our empathy, generosity, civility, innovation, intellectual rigor, and the collaborative strength of our communities and social networks. Its ripple effects shape the patterns that make up our families, neighborhoods, and workplaces, as well as the broader patterns of social organization that define societies and our current political struggles.”

“The viewpoint character in each story is usually someone trapped in a living nightmare, but this doesn't guarantee that we and the protagonist are at one. In fact Woolrich often makes us pull away from the person at the center of the storm, splitting our reaction in two, stripping his protagonist of moral authority, denying us the luxury of unequivocal identification, drawing characters so psychologically warped and sometimes so despicable that a part of us wants to see them suffer. Woolrich also denies us the luxury of total disidentification with all sorts of sociopaths, especially those who wear badges. His Noir Cop tales are crammed with acts of police sadism, casually committed or at least endorsed by the detective protagonist. These monstrosities are explicitly condemned almost never and the moral outrage we feel has no internal support in the stories except the objective horror of what is shown, so that one might almost believe that a part of Woolrich wants us to enjoy the spectacles. If so, it's yet another instance of how his most powerful novels and stories are divided against themselves so as to evoke in us a divided response that mirrors his own self-division.("Introduction")”