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“No matter what a person does to cover up and conceal themselves, when we write and lose control, I can spot a person from Alabama, Florida, South Carolina a mile away even if they make no exact reference to location. Their words are lush like the land they come from, filled with nine aunties, people named Bubba. There is something extravagant and wild about what they have to say — snakes on the roof of a car, swamps, a delta, sweat, the smell of sea, buzz of an air conditioner, Coca-Cola — something fertile, with a hidden danger or shame, thick like the humidity, unspoken yet ever-present. Often when a southerner reads, the members of the class look at each other, and you can hear them thinking, gee, I can't write like that. The power and force of the land is heard in the piece. These southerners know the names of what shrubs hang over what creek, what dogwood flowers bloom what color, what kind of soil is under their feet. I tease the class, "Pay no mind. It's the southern writing gene. The rest of us have to toil away.”
Natalie Goldberg“Growing up in Fitzgerald, I lived in an intense microcosm, where your neighbor knows what you're going to do even before you do, where you can recognize a family gene pool by the lift of an eyebrow, or the length of a neck, or a way of walking. What is said, what is left to the imagination, what is denied, withheld, exaggerated-all these secretive, inverted things informed my childhood. Writing the stories that I found in the box, I remember being particularly fascinated by secrets kept in order to protect someone from who you are. That protection, sharpest knife in the drawer, I absorbed as naturally as a southern accent. At that time, I was curious to hold up to the light glimpses of the family that I had so efficiently fled. We were remote-back behind nowhere-when I was growing up, but even so, enormous social change was about to crumble foundations. Who were we, way far South? "We're south of everywhere," my mother used to lament.”
Frances Mayes, Under Magnolia: A Southern Memoir“… a Southerner is BORN into the lifestyle,there just ain’t no choice about it.Yer either a Southerner or ya ain’t.”
Chad B. Hanson“A determined Yankee book drummer once told a Southerner that 'a set of books on scientific agriculture' would teach him to 'farm twice as good as you do.' To which the Southerner replied: 'Hell, son, I don't farm half as good as I know how now.”
Grady McWhiney, Cracker Culture: Celtic Ways in the Old South“Wasting talent is a sin. I’m not big on sin, but I know a sin when I see one staring me in the face. I’m not big on sin, but I know a sin when I see one staring me in the face. It’s just not courteous to not use or wear something that somebody’s given you as a well-meaning gift. It goes against Southern ways, not that God is Southern by any stretch of the imagination, but I do think He expects us to be an example for the rest of the country, as far as manners go.”
Vicki Covington, Bird of Paradise“Well, Southerners like to eat well. You see, it's an event when it's done right.”
Stan Shaw“First memory: a man at the back door is saying, I have real bad news, sweat is dripping off his face, Garbert's been shot, noise from my mother, I run to her room behind her, I'm jumping on the canopied bed while she cries, she's pulling out drawers looking for a handkerchief, Now, he's all right, the man say, they think, patting her shoulder, I'm jumping higher, I'm not allowed, they think he saved old man Mayes, the bed slats dislodge and the mattress collapses. My mother lunges for me.Many traveled to Reidsville for the event, but my family did not witness Willis Barnes's electrocution, From kindergarten through high school, Donette, the murderer's daughter, was in my class. We played together at recess. Sometimes she'd spit on me.”
Frances Mayes, Under Magnolia: A Southern Memoir“Sometimes you have to travel back in time, skirting the obstacles, in order to love someone.”
Frances Mayes, Under Magnolia: A Southern Memoir“The past that Southerners are forever talking about is not a dead past--it is a chapter from the legend that our kinfolks have told us, it is a living past, living for a reason. The past is a part of the present, it is a comfort, a guide, a lesson.”
Ben Robertson, Red Hills and Cotton“Only Southerners have taken horsewhips and pistols to editors about the treatment or maltreatment of their manuscript. This--the actual pistols--was in the old days, of course, we no longer succumb to the impulse. But it is still there, within us.”
William Faulkner, The Sound and the Fury