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“The spelunkers of speculative fiction mining phosphorescent filth from the bowels of the city of New Sodom, the Sci-Fi freaks scraping kipple and back from the bins of decades-old shit sandwiches out back, composting it to grow shrooms, we have built this thing to take its ”
Hal Duncan“[T]he new weird represents a productive experiment in fantasy fiction. The New Wave of the 1960s and 1970s arguably embodied science fiction's claim to literary 'seriousness.' This desire for seriousness is not snobbery, as sometimes suggested by folks who overemphasize the entertainment function of speculative fiction; it's about recognition of the vast possibilities within the field.”
Darja Malcolm-Clarke“When she sat down on the tile next to him, unafraid, his kaleidoscope senses drank in the years that had been printed onto her mind before she was old enough to remember, and he told her a story, projecting into her darkness sensations of light and color and shape, butterflies swirling like silk-spun gold out through a window that opened to a big green field in the days before the bomb.”
Mel Paisley, Love Hurts: A Speculative Fiction Anthology“A teleporting cat! Is she yours?" Dr. Daniel McCleod. "Suki”
Ellen Dawn Benefield, Wyrd Wravings: An Anthology of Humorous Speculative Fiction“Konstantin Tsiolkovsky in Russia, Hermann Olberth in Germany, and Robert Goddard in the United States all came up with an eerily similar concept for using liquid fuel to power rockets for human spaceflight. I've seen this pointed out as an odd coincidence, one of those moments when an idea inexplicably emerges in multiple places at once. But when I read through each of these three men's biographies I discovered why they all had the same idea: all three of them were obsessed with Jules Verne's 1865 novel "De la terre a la lune (From the Earth to the Moon)." The novel details the strange adventures of three space explorers who travel to the moon together. What sets Verne's book apart from the other speculative fiction of the time was his careful attention to the physics involved in space travel -- his characters take pains to explain to each other exactly how and why each concept would work. All three real-life scientists -- the Russian, the German, and the American -- were following what they had learned from a French science fiction writer.”
Margaret Lazarus Dean, Leaving Orbit: Notes from the Last Days of American Spaceflight“You sit beside the sorcerer, your love, and unzip your ribs. Tucked under your heart is a small oak box, plain and unvarnished. You offer it to the sorcerer. 'I brought this for you.”
A. Merc Rustad, Love Hurts: A Speculative Fiction Anthology“Speculative fiction both requires and rewards an open mind.”
Steven Poore“In my imagination, the Editor meditated in a mountain-cave, espoused the rules of grammar, and frowned upon speculative fiction.”
Josh Malerman“In many ways sci-fi is a natural progression from the magical worlds we inhabited as children. Speculative fiction opens up parallel universes to which we can escape and exercise our love for all things beyond our ken. close off these speculative worlds at your peril.”
Ella Berthoud, The Novel Cure: From Abandonment to Zestlessness: 751 Books to Cure What Ails You“I’ve never been a believer in fate. I like to think I’m in control, that my life hasn’t been plotted out ahead of time. Sometimes all it takes is one wild thought, one brave decision to change everything. This must be one of those times.”
Kyle Richardson, Love Hurts: A Speculative Fiction Anthology